October 17, 2016

IHS member Dr. Peter Iltis, horn player and Professor of Kinesiology at Gordon College, has launched a research project entitled the MRI Horn Repository Project (MHRP). In collaboration with the Max Planck Institute for Biophysical Chemistry (Gottingen, Germany) and the Institute for Music Physiology and Musician’s Medicine (Hannover, Germany), this project utilizes real-time magnetic resonance imaging (RT-MRI) to study tongue and throat movement strategies of elite horn players and players who suffer from career-threatening movement disorders, with emphasis on embouchure dystonia (EmD). In the next two years, his research team aims to significantly expand its data base and to provide selective access to scientists, doctors, and brass teachers world-wide to further understanding in this new, developing field of study.

The project has already resulted in five journal publications, presentations at three international symposia dealing with medical problems of performing artists as well as horn pedagogy, an internationally-televised episode with Deutsch Welle Television (Sarah’s Music: Music and Science), and a YouTube channel “MRI Horn Videos: Pedagogy Informed by Science.” The YouTube channel features a growing series of video lectures highlighting the RT-MRI work in Germany. The lectures are presented by Dr. Iltis and Mr. Eli Epstein, former second horn of the Cleveland Orchestra, now serving on the faculty of the New England Conservatory and the Boston Conservatory at Berklee. These movies provide a valuable source for expanding the understanding of brass pedagogy. The lectures have Epstein presenting the pedagogical side, while Iltis presents the scientific side. Together, they provide a well-balanced and disciplined approach to understanding the amazing images. They have presented this work in two consecutive years at the International Horn Symposia held in Los Angeles (2015) and most recently at Ithaca College (2016).

Two significant testing sessions of the MHRP are planned for the next calendar year (January 2017-January 2018). During each 10-day session, 12 elite horn players from top European and American Orchestras will be recruited for scanning. The IHS Executive Committee enthusiastically supports this research project because of its application to many brass players and their problems. Inevitably, results will come more quickly with financial support, and we encourage those who possess the financial means to support this worthwhile project to visit http://www.gordon.edu/mrihorn for information regarding how to contribute.

Jeffrey Snedeker
President, International Horn Society

The IHS Online Music Sales is proud to announce the launch a new series of publications titled “The Collected Works of Douglas Hill.” Professor Hill is a Past President and Honorary Member of the International Horn Society, and is Emeritus Professor of Music-Horn at the University of Wisconsin-Madison (1974- 2011). He has composed extensively for horn as well has written numerous well-respected texts on horn pedagogy and technique.The IHS will be releasing several titles every month. The first four titles are listed below and can be found here.

A Set of Songs and Dances (for clarinet, horn, percussion, bass)
Five Little Songs and Dances (for solo horn)
Scenes from Sand County (for WW5, violin, viola, cello, and bass)
Low Range for the Horn Player

Advisory Council members: elected by the general membership were Nobuaki Fukukawa (second term), Amy Thakurdas (first term), and Geoffrey Winter (third term); elected to three-year terms by the Advisory Council were Annie Bosler (first term), and Justin Sharp (first term); elected to a two-year term by the Advisory Council was Jeffrey Snedeker (third term).

Jeffrey Snedeker was elected President of the International Horn Society. Kristina Mascher was elected Vice-President, and Annie Bosler was elected to the Secretary/Treasurer position.

To the International Horn Society and musicians everywhere,

Recently, some attention has been drawn to a bill that has passed the US House of Representatives and is currently being discussed in the US Senate. I have read the text of the proposed HR Amendment #48, found in H.Amdt 1218 to H.R. 5293 for the National Defense Authorization Act of 2017. On the surface, the actions suggested in this bill may seem like logical cost-saving measures, but after reading the bill and thinking about its ramifications, I believe this bill has the potential for grave consequences for musical groups in the US armed services. These groups are an important part of our history and culture. In a nutshell, this amendment “limits their ability to play in social functions, dances, and things that are really outside their core competencies and the competencies of the military.” I believe any restriction of the exposure to the public or preventing direct public interaction of these ensembles would constitute a significant cultural loss, a loss of some of the best expression of patriotism and artistry America has to offer. Anyone who has heard one of our military groups knows that performing music at social functions, etc. is well within their “core competencies”—indeed, the US armed forces are blessed with some of the finest musicians in the world.

Military music existed in this country before the Revolutionary War and even at that time was an important contributor to soldier and citizen morale and respite, establishing a strong connection between armed forces and the general citizenry. Music serves to unite communities, and military musical groups, more than any other musical ensemble, unite our country at home and provide similar comfort to American soldiers and their families overseas. They also provide opportunities for talented individuals to express their patriotism in artistic ways. Preventing performances that maintain the military’s connection and trust of the American public would seem to go against this proud expression of patriotism and the founding inclusive principles of our country.

I also believe passing this bill would establish a convenient path to even more cuts and unintended ramifications, which would further compromise the artistic quality, personal investment, and the relationship between the military and the general public. In context of the total defense budget, the amount of money it might save does not seem to warrant the devastating potential effect it could have.

Please encourage your senators to vote against any amendments, motions, or bills which would restrict the use of funding to military bands. To read the text of this bill, look for Rep. McSally’s justification for Amendment 48 in the text of the following:

https://www.congress.gov/amendment/114th-congress/house-amendment/1218/text

To contact your US Senator, http://www.senate.gov/senators/contact/

Sincerely,
Jeffrey Snedeker
President, International Horn Society

Around 1786, Mozart began work on a new horn concerto in E major, presumably for his friend Joseph Leutgeb. After 91 bars of orchestral exposition and a brief entrance of the horn solo, he abandoned the work, leaving us what is now cataloged as K. 494a. Some have suggested this might have been Mozart's greatest concerto had he finished it, as the orchestral flourish introduces a grandiose construction of melody and counterpoint, unlike any of Mozart's other horn concertos. This reconstruction and completion, done by Anders Muskens in 2015, builds on the fragment and adds new themes in order to realize an entire movement.

The IHS Online Music Sales is happy to offer two editions of this: one for horn and piano reduction, and the other for horn and full orchestra.