From the newsletter of the Japan Horn Society
国際ホルン協会のニュースレターをお読みになられている皆様、はじめまして。私は熊本ホルンアンサンブルの萩坂と申します。今回の平成28年熊本地震を被災したものとして、地震直後から現在の状況をまとめましたので、ご一読願えればと思います。

4/14(木)前震
自宅で息子が風呂に入っている時(21:26)に最大震度7の地震(前震)が発生しました。妻と無我夢中で風呂の息子を助けに行きました。東日本大震災を福島県で被災したホルン吹きの友人からの助言を元に、とりあえず浴槽に水を貯め、念の為妻の実家に避難しました。妻の実家に泊まるのは初めてでしたが、地震による緊張感でほとんど眠れませんでした。また、熊本県のシンボルでもある熊本城に大きな損害が出たことも報道で知りました。

좋은 연주를 위한 몇 가지 잊기 쉬운 간단한 조언들
한번은 이스트만 음악학교의 얀치치 교수께 렛슨을 받던 중 선생님께서 “영률 이 렛슨비로 녹음기를 사서 녹음을 듣고 연습하면 일년 내내 좋은 렛슨을 받을 수 있을거야”라고 하신 말씀이 생각난다.
호른을 사랑하는 모든 학생들, 연주자들이 우리의 이 멋진 악기 “Horn”을 즐기면 연주하기를 바랍니다. 서울대학교 음악대학 교수 김영률
By Donald Krause
HAPC started about 15 years ago. Before that, we just had some horn players showing up to play Christmas music for 5 years. We started in downtown Appleton at a shopping mall with a three-story open area. The first few years, we had maybe 8-12 horn players perform and were supplemented by the Lawrence Conservatory horn studio (with James De Corsey.) He provided master classes for a few of my students, and then Bruce Atwell from the UW-Oshkosh horn faculty joined us for more classes. Bruce and I discussed making our own book, so he did that - we performed out of it for a couple years. The second time we were in Milwaukee, I asked Cynthia Carr to come and do a master class. She said that since we had no Jewish music, she wanted to redo the book and add some additional selections. Our first out-of-the-area guest was Jeff Nelsen. A couple years later, Geof Winter came to town with more performances and classes for my studio. He also arranged a version of the Cherry Tree Carol that is a favorite with our horn players.
A major revelation happened in the early 2000’s. I had contributed a personal check to a graduating senior horn student from the Fox Valley Youth Orchestra when the board invited me to come to a meeting to discuss something. The Youth Orchestra board said I could no longer make a contribution to a graduating horn senior: I could continue the fund, but they would decide which graduating musician would get the scholarship. I thought that since the entire horn section came from my horn studio, I could decide who would receive the money. That year (about 15 years ago) I decided to change how things were happening…thus Hornsaplentychristmas was born. We also did some HAPC events in the afternoon at the downtown mall, and then we all went over to the new Performing Arts Center to perform on the huge balcony for the audience waiting to watch the Nutcracker. I had done a little research about Guinness records and did not find any about horns, so in 2007 we had 85 horns plus myself to set a Guinness record.
A few simple suggestions to help you play better, yet easy to forget
In 2016, the Association Française du Cor - that stands for France’s Horn Society - celebrates its 40th anniversary through four very different and complementary horn festivals in France :

1st Highlight : AULNAY early February gathered many international (Marie-Louise Neunecker, Kristina Mascher and Kerry Turner, Bruno Schneider..) and French horn players (quite a challenge to name all the contributors invited by organiser and former AFC president Daniel Catalanotti) up around an eclectic programme on modern, natural, hunting, marine, jazz, Alp horns, and a special tribute to the female horn players, culminating in a 4 hours concert.
2nd Highlight : PARIS mid-March successfully pursued 2 innovative objectives : first, enhance the relationship between the French provinces and Paris horn classes. It for instance offered students from everywhere the opportunity to participate in master-classes with Benoît de Barsony (Orchestre de Paris principal, AFC President), Vladimir Dubois (Opéra de Paris principal), Hervé Joulain (Orchestre Philharmonique de Radio France principal) and André Cazalet (Orchestre de Paris principal, Professor at the Conservatoire de Paris). Or to attend a fascinating lecture by Michel Garcin-Marrou (IHS Honorary Member, former Orchestre de Paris principal and Professor at the Conservatoires de Lyon and Paris) on Emmanuel Chabrier’s Larghetto, etc. Second, enable the very first performance of a grand ensemble of more than 20 leading horn players from Paris’ best orchestras - joined by the students upon the final concert.
3rd Highlight : SALLAUMINES (abutting LENS, Northern and formerly mining area of France) will late May propose in a warm atmosphere, upon initiative from Vincent Huart (previous AFC president) : quartets and large horn ensemble concerts, original masterclasses, a composer score signing session, a competition for young hornists, exhibitions and educational presentations to the schools around our instrument.
4th Highlight : AVIGNON end of June will also celebrate its 20th Horn Festival (host Eric Sombret) since the memorable 1982 IHS Symposium that had taken place in the Popes’ Palace. With numerous concerts and shows by horn ensembles and soloists, prominent horn players, students and amateurs from Southern France and Europe will have the horn resound to its fullest in the heart of this historic city.
Like the IHS, the Association Française du Cor promotes the art, craft and fun of horn playing. It regroups numerous interprets, teachers, students and amateurs who love their golden horn. The language is usually French, but its focus is definitely on both international and French-speaking horn players. The AFC supports or organises festivals, exhibitions, concerts around the horn. It also publishes a generous magazine - La Revue du Corniste - newsletters, and acts as an information network for its members.
More information on www.associationfrancaiseducor.fr and on Facebook.
Any idea to further develop the IHS – AFC (research, editorial, events .. ) exchanges most welcome ! Please contact :
Matthieu Arnaud, member of the AFC Advisory Board
Vincent Andrieux, AFC vice-president

En 2016, l'Association Française du Cor fête ses 40 ans d'existence au travers de quatre festivals très différents et complémentaires en France :
by Sherry Wegner
As an amateur musician, I often play my horn for fun and have many unique opportunities to play with a variety of groups. I have been living in Bonn, Germany for 8 years and have had many opportunities to travel with a few different orchestras to places like China, France, Ireland, Austria and Germany.
I would like to talk to you about my experiences playing with the Rainbow Symphony of Cologne in Cologne Germany. I was asked to play with the RSC because they needed a few more horns, and a friend of mine asked if I would be interested. I said..."I'm not gay." She said that they are also a gay friendly orchestra, so if you support the gay community in any way, you should play. I have many friends in America that are gay and have always felt very comfortable around them - so I figured why not.
The RSC has about 35 members. They play just a few times a year in which they get together and have a rehearsal weekend and play a concert. We have members from all over Europe. Our percussionist brings her own timpani all the way from Basel, Switzerland. The Harp player comes from Paris, and we have a few string players from other parts of Germany as well.