by Vidhurinda Samaraweera
In February 2025, Sri Lanka's horn playing community experienced an unprecedented event as Professor Peter Arnold, a distinguished German hornist, conducted a series of masterclasses and culminating recital in Colombo. Historically, opportunities for specialized horn training and ensemble performance in the region have been scarce, primarily due to a lack of formally trained educators. This initiative, organized by the Gustav Mahler Society of Colombo (GMSC) in collaboration with Musicmatters Sri Lanka, marked a significant milestone in the region’s horn playing journey.
On February 13th and 14th at Musicmatters Sri Lanka, Professor Arnold led intensive masterclasses attended by local horn players and enthusiasts. Demonstrating his commitment to nurturing talent, he generously provided each participant with a Markus Arnold 'BuzzR', a specialized tool designed to practice buzzing without the instrument.
The sessions explored several critical aspects of horn performance. Professor Arnold emphasized the importance of correct breathing techniques and posture, introducing exercises to rectify common breathing habits and promote diaphragm engagement.
Participants engaged in buzzing exercises aimed at strengthening embouchure and improving tonal quality. Revisiting the instrument's roots, the masterclasses incorporated fundamental natural horn exercises, offering players both historical context and technical proficiency. Although natural horns were not available, participants used their instruments like natural horns by playing in only a single harmonic series at a time. A significant focus was placed on solo horn repertoire with Professor Arnold sharing insightful interpretations and practical approaches to mastering the works. Additionally, a five-member horn ensemble received training while exploring diverse genres and ensemble dynamics under his guidance.
The culmination of this endeavour was a recital on the morning of February 15th. Professor Arnold began the event with two solo pieces, captivating the audience with his artistry and technical prowess. Following his performance, students showcased the results of their intensive training.
The recital also featured ensemble works arranged by Professor Arnold, including Glottertäler Hornruf, an evocative piece highlighting the ensemble's cohesive sound. (This is often played at the well-known Hornissimo Festival hosted by Prof. Arnold in Germany.) Ave Maria and Blues for Horns (a spirited piece which concluded the recital on a high note) were highlights which the audience seemed to enjoy.
Professor Arnold's visit left an indelible mark on the Sri Lankan horn community. Participants not only enhanced their technical skills but also gained a renewed appreciation for the instrument's rich heritage. As Country Representative of India and Sri Lanka for the International Horn Society, I am happy to share with our global horn community the report of this momentous occasion. It stands as a testament to the unifying power of music and the continuous pursuit of artistic growth.