| Abate, Shelagh | Frank Donaruma: Quintessential New York Freelancer | 54-55 | 2013 May |
| Abate, Shelagh | Freelancing 101 | 86-88 | 2014 May |
| Abate, Shelagh | Freelancing 102: Cold Calls and “Duets” | 94-96 | 2014 Oct |
| Abate, Shelagh | Horn Players Can Swing! | 91 | 2018 Feb |
| Abate, Shelagh | In Memoriam: Milton Phibbs (1949-2019) | 26 | 2019 May |
| Abate, Shelagh | Zwilich Horn Concerto | 54-55 | 2018 Oct |
| Abelson, Elizabeth | Tributes: Dennis Abelson (1951-2007) | 37-38 | 2008 Feb |
| Abernathy, Don A. | Music Enrichment Programs for Public Schools: A Guideline | 73-75 | 2001 May |
| Aebi, Franz et al | In Memoriam: Willi Aebi (1901-1986) | 54-56 | 1987 Oct |
| Aebi, Willi | The Inner Acoustics of the Horn; Die Innere Akustik des Waldhornes (German); L’Acoustique Interne du Cor (French) | 43-57 | 1974 Spr |
| Aebi, Willi | Stopped Horn | 40-43 | 1974 Spr |
| Aebi, Willi | Stopped Horn [continuation] | 47-49 | 1976 May |
| Agrell, Jeffrey | 2001 Corno Pazzo Contest | 57 | 2002 Oct |
| Agrell, Jeffrey | 21st Century Renaissance Man: Eric McIntyre | 55-56 | 2011 Oct |
| Agrell, Jeffrey | Adam Wolf and the Rock Horn Project | 34-35 | 2016 May |
| Agrell, Jeffrey | Archery, Csikszentmihalyi, and What’s Really Important, Anyway? | 33-36 | 2003 May |
| Agrell, Jeffrey | Being Columbus | 37-38 | 2005 Feb |
| Agrell, Jeffrey | Being Purple | 43-44 | 2017 Oct |
| Agrell, Jeffrey | The Benefits of Forcing It | 96-98 | 2009 Oct |
| Agrell, Jeffrey | Beware of Philip Farkas | 79-80 | 2003 May |
| Agrell, Jeffrey | Bibliography of Reference Materials on Auditioning & Orchestral Excerpts | 45-46 | 2001 Feb |
| Agrell, Jeffrey | Blueprint for Success | 73-74 | 2003 Feb |
| Agrell, Jeffrey | A Brief History of the IHS Composition Contest | 31-33 | 1989 Oct |
| Agrell, Jeffrey | But I’m Not Beethoven! | 46-47 | 2004 Oct |
| Agrell, Jeffrey | Classical Garage Bands | 42-43 | 2005 Oct |
| Agrell, Jeffrey | Composing Made Easy | 49-52 | 2012 Oct |
| Agrell, Jeffrey | The Creative Habit | 40 | 2004 May |
| Agrell, Jeffrey | Cutting the Cord | 79-80 | 2004 Feb |
| Agrell, Jeffrey | Daniel Wood: Entrepreneurial Musician | 49-51 | 2012 Feb |
| Agrell, Jeffrey | Do You Ever Play Your Horn? | 65-66 | 2002 May |
| Agrell, Jeffrey | The Ears Have It | 98-99 | 2008 Oct |
| Agrell, Jeffrey | The End of Scales | 41-43 | 2017 May |
| Agrell, Jeffrey | Excerpt: Magic Flute, revisited | 55-59 | 1990 Oct |
| Agrell, Jeffrey | Foulk Music: Reinventing Horn Teaching and Performance with Creative Music | 42-44 | 2015 Oct |
| Agrell, Jeffrey | Ground Hog Day and the D.A. | 95-96 | 2005 May |
| Agrell, Jeffrey | Heuristics for Horn Players | 38-39 | 2017 Feb |
| Agrell, Jeffrey | Horn Design 101 | 65-67 | 2002 Feb |
| Agrell, Jeffrey | Horn Excerpts Clinic | 55-57 | 1984 Oct |
| Agrell, Jeffrey | Improvised Duets as Collaborative Learning | 75-76 | 2007 Feb |
| Agrell, Jeffrey | An Indexed Bibliography of Periodical Articles on the Horn (I) | 51-54 | 1976 May |
| Agrell, Jeffrey | An Interview with Kazimierz Machala | 45-47 | 2013 Oct |
| Agrell, Jeffrey | An Interview with Professor Cabbage – Brian Holmes | 96 | 2009 May |
| Agrell, Jeffrey | Interview with Ricardo Matosinhos – Millennium Musician | 40-42 | 2014 Oct |
| Agrell, Jeffrey | James Naigus: Composing for Horn in the New Millennium | 38-40 | 2016 Feb |
| Agrell, Jeffrey | Jazz Clinic | 25-27 | 1986 Apr |
| Agrell, Jeffrey | Jazz Clinic | 66-67 | 1986 Oct |
| Agrell, Jeffrey | Jazz Clinic | 61-62 | 1987 Apr |
| Agrell, Jeffrey | Jazz Clinic: The Art of Noise | 61-62 | 1990 Oct |
| Agrell, Jeffrey | Jazz Clinic: Dominant Behavior | 55-58 | 1991 Oct |
| Agrell, Jeffrey | Jazz Clinic: Dr. Agrell’s Amazing Jazz Quiz | 83-88 | 1991 Apr |
| Agrell, Jeffrey | Jazz Clinic: Onemanband: I. Basics | 47-48 | 1989 Apr |
| Agrell, Jeffrey | Jazz Clinic: Onemanband: II. Going Comping | 38-39 | 1989 Oct |
| Agrell, Jeffrey | Jazz Clinic: Onemanband: III. Putting It All Together | 23-28 | 1990 Apr |
| Agrell, Jeffrey | Jazz Clinic: There’ll be Some Changes Made … | 86-89 | 1988 Oct |
| Agrell, Jeffrey | Mike Simpson: Jazz Horn Life | 38-39 | 2016 Oct |
| Agrell, Jeffrey | New Millennium Musician: A Jack(ie) of All Trades: Interview with Jacquelyn Adams | 34-36 | 2015 Feb |
| Agrell, Jeffrey | Off the Beaten Path: Tales of Creative Hornists, Part I | 54-57 | 2010 Oct |
| Agrell, Jeffrey | Off the Beaten Path: Tales of Creative Hornists, Part II | 55-57 | 2011 Feb |
| Agrell, Jeffrey | “Often it is the Horn Player” | 67-69 | 2001 Nov |
| Agrell, Jeffrey | Paul Basler: Close-up of a Creative Hornist | 36-38 | 2014 May |
| Agrell, Jeffrey | Peak Performance Bibliography | 51 | 2006 Oct |
| Agrell, Jeffrey | Performers as Composers | 69-70 | 2006 May |
| Agrell, Jeffrey | Pip Eastop: Creative Hornist of the Year | 96-99 | 2003 Oct |
| Agrell, Jeffrey | Prodigious Producer: William Melton | 34-36 | 2015 May |
| Agrell, Jeffrey | Profile: Arkady Schilkloper, Russian Jazz Hornist | 31-33 | 1992 Apr |
| Agrell, Jeffrey | Re-creating Re-creation | 57-58 | 2007 May |
| Agrell, Jeffrey | The Song-O-Nome – Finding Beats Per Minute Using Familiar Tunes and Songs | 108 | 2008 Oct |
| Agrell, Jeffrey | Technique Tips: 1. Quick Study | 67-68 | 2001 May |
| Agrell, Jeffrey | Technique Tips: 2. Power Scales | 63-64 | 2001 Aug |
| Agrell, Jeffrey | Technique Tips: 3. Beyond Power Scales: Patterns | 79-80 | 2001 Nov |
| Agrell, Jeffrey | Technique Tips: 4. The Stepping Stone Approach | 85-86 | 2002 Feb |
| Agrell, Jeffrey | Technique Tips: Learning from Others: 1. Low Brass | 77-78 | 2002 May |
| Agrell, Jeffrey | Technique Tips: Learning from Others: 2. Trumpet | 75 | 2002 Oct |
| Agrell, Jeffrey | Technique Tips: The Accountant and the Artist | 77-78 | 2003 Feb |
| Agrell, Jeffrey | Technique Tips: More Percussion, Less Discussion | 35-36 | 2003 Oct |
| Agrell, Jeffrey | Technique Tips: Beyond Kopprasch | 65-66 | 2004 Feb |
| Agrell, Jeffrey | Technique Tips: The Forest or the Trees | 80-81 | 2004 May |
| Agrell, Jeffrey | Technique Tips: Lessons from the Gym | 86-87 | 2004 Oct |
| Agrell, Jeffrey | Technique Tips: Checklist & Tools | 86-87 | 2005 Feb |
| Agrell, Jeffrey | Technique Tips: Alpine Warm-Ups | 60-61 | 2005 May |
| Agrell, Jeffrey | Technique Tips: The Personal Etude | 58-59 | 2006 Feb |
| Agrell, Jeffrey | Technique Tips: Getting Control of the Drunken Monkey | 47-50 | 2006 Oct |
| Agrell, Jeffrey | Technique Tips: Duets – A New Pedagogical Tool | 36-37 | 2007 Feb |
| Agrell, Jeffrey | Technique Tips: The Value of Mistakes | 55-56 | 2007 May |
| Agrell, Jeffrey | Technique Tips: Indexed Technical Etudes | 51-53 | 2007 Oct |
| Agrell, Jeffrey | Technique Tips: Ontogeny Recapitulates Phylogeny, or Only Natural | 85-87 | 2008 Oct |
| Agrell, Jeffrey | Technique Tips: The Importance of Not Playing | 32-34 | 2009 Oct |
| Agrell, Jeffrey | Technique Tips: Accuracy | 92-94 | 2010 Oct |
| Agrell, Jeffrey | Technique Tips: Technique through Tunes: Using Familiar Tune to Develop Technical and Aural Skills | 68-69 | 2011 Oct |
| Agrell, Jeffrey | Technique Tips: Fingering Magic | 72-74 | 2012 Feb |
| Agrell, Jeffrey | Technique Tips: Getting in the Zone | 78-80 | 2012 Oct |
| Agrell, Jeffrey | Technique Tips: Symbol Pleasures | 75-76 | 2013 May |
| Agrell, Jeffrey | Technique Tips: Pain, Gain, the Horn, and Mastery | 73-74 | 2013 Oct |
| Agrell, Jeffrey | Technique Tips: Technique Microcosms | 45-47 | 2014 Feb |
| Agrell, Jeffrey | Technique Tips: The Arpeggio Challenge | 45-46 | 2014 Oct |
| Agrell, Jeffrey | Technique Tips: Card Tricks: Using Flashcards for Technique Study | 39-40 | 2015 May |
| Agrell, Jeffrey | Technique Tips: Continuosity | 47-48 | 2015 Oct |
| Agrell, Jeffrey | Technique Tips: The Brandenburg Ramp | 39-41 | 2016 May |
| Agrell, Jeffrey | Technique Tips: Tabata for Horn Players | 43-44 | 2016 Oct |
| Agrell, Jeffrey | Technique Tips: Two-Key Triad Loosen-Ups/Warm-Ups | 73-74 | 2017 Oct |
| Agrell, Jeffrey | Voices… on Creativity in Horn Playing | 97-98 | 2007 Oct |
| Agrell, Jeffrey | Whacks on the Side of the Head for Creative Hornists | 77-78 | 2006 Oct |
| Agrell, Jeffrey | What’s Stopping You? Thoughts on Making Music in the New Millennium | 40-42 | 2014 Feb |
| Agrell, Jeffrey | You Play! – You Rock! | 45-47 | 2012 May |
| Alberola I Verdú Josep Antoni | The Horn in Valencia; La Trompa en Valencia (Spanish) | 53-58 | 2003 Oct |
| Albertyn, Erik | The Horn Profession in South Africa | 64-66 | 2005 Feb |
| Albertyn, Erik | Indigenous African Horns: Ixilongo, Makondere, and African Horn Bands | 48-52 | 2005 May |
| Albrecht, Theodore | Benedict Fuchs, Franz Eisen, and Michael Herbst: the Hornists in Beethoven’s Eroica Symphony at its First Performances in Vienna, 1805-1809 | 39-49 | 2003 Oct |
| Albrecht, Theodore | A Case of Mistaken Gender: Camillo Bellonci (1781-?) | 107-108 | 2004 Feb |
| Albrecht, Theodore | Elias (Eduard Constantin) Lewy and the First Performance of Beethoven’s Ninth Symphony | 27-33 | 1999 May |
| Allen, Edmund | An 8-D Ascending Horn | 38 | 1981 Apr |
| Allen, Renée | Salon Music | 86-89 | 2020 Feb |
| Ambache, Diana | Horn Repertoire by Women Composers | 42-44 | 2018 Oct |
| Ambrose, Katy | Unlocking the Past: William Lee and the Rodenbostel Horn at Mount Vernon | 49-52 | 2021 Feb |
| Amram, David | Some Thoughts on Coming to IHS 50 | 91 | 2018 May |
| Anderer, Joseph | A & A-flat Horn in Italian Opera | 55-56 | 1995 Nov |
| Anderer, Joseph | Excerpt: The Prelude to Das Rheingold | 59-60 | 1994 Nov |
| Anderson, Burke | Teaching a Tone-Deaf Horn Player: A Personal Experience | 36-39 | 2021 May |
| Anderson, Einar W. | The Horn Club of Los Angeles | 14-15 | 1974 Aut |
| Anderson, Mark | Inner Voices: The Alto or Tenor Horn | 57-62 | 2012 May |
| Anderson, Paul | Two Projects Commemorate the Life of One of Our Members | 108-109 | 1992 Oct |
| Andriasova, Maria and Arshak Andriasov | Iosif Andriasov and his Horn Concerto | 28-29 | 2022 Feb |
| Andrieux, Vincent | The French Horn School during the Belle Epoque: Investigation into “Prehistoric” Recordings, (translation by Chris Larkin and Kate Malahieude) | 32-41 | 2020 Feb |
| Anspach, Layne | Together through Music: A Conversation with Thomas Joestlein | 44-48 | 2021 May |
| Anthony, Payton | Villanelle by Paul Dukas: A Student Perspective | 48-49 | 2022 Feb |
| Antoniolli, Lauren | IHS53: A Student Perspective | 59-60 | 2021 Oct |
| Arango, Erika J. | Jazz in the Horn World? | 51-53 | 2019 Oct |
| Arella, David | My Horn | 53-54 | 2021 May |
| Arias, Joel | Latin America Regional Report: Panama | 32 | 2018 Oct |
| Arias, Joel | Latin America Regional Report: Venezuela | 32 | 2018 Oct |
| Ashworth, Robert | Further Thoughts and Theories on Hand Stopping | 35-37 | 1993 Nov |
| Aspaugh, Erin | Horn Manufacturers, Models, and Distributors | 27-52 | 1997 Feb |
| Atkinson, Lyle | Staying in shape … and a Lot More! | 94-95 | 2008 May |
| Atwell, Bruce | Horn Recital Preparation and Performance: An Interview Project | 49-61 | 2008 May |
| Atwell, Bruce | Recovery from Lip Surgery: A Cautionary Tale | 77-78 | 2015 Oct |
| Augusto, Antonio | The Brazilian Repertoire for Horn | 23-27 | 1998 Feb |
| Austin, Paul | Contemporary Natural Horn Compositions (1982-1992) | 41-44 | 1994 May |
| Austin, Paul | A Conversation with Anthony Halstead | 17-25 | 1996 Feb |
| Austin, Paul | Loose Canons: Where are Stravinsky’s Canons for Two Horns? | 63-65 | 1999 Aug |
| Axelson, David | Doug Hall’s “Pay it Forward” Gift to a Young Horn Player | 46 | 2014 May |
| Bach, Jan | Jan Bach’s Laudes | 16-20 | 1990 Oct |
| Bacon, Thomas | Excerpt: Chopin Piano Concerto #2 | 68-69 | 1987 Oct |
| Baker, James | Horn Players Guide to Work in Mexico City and Toluca | 90-91 | 1984 Oct |
| Balmuth, Jerry | An Interview with Domenico Ceccarossi | 53-58 | 1972 Nov |
| Barboteu, M. Georges | The Evolution of the Horn in France and Its School; Du Cor (French) | 23-40 | 1976 May |
| Barboteu, M. Georges | The Evolution of the Horn in France and Its School [reprint] | 33-38 | 2000 Aug |
| Barg, Joel | Kerry Turner: from the King Ranch to the American Horn Quartet | 23-29 | 1995 Nov |
| Bartok, Bela | “Alphorn” | 47-48 | 2001 May |
| Bate, Philip | In Memoriam: Reginald F. Morley-Pegge (1890-1972) | 18-19 | 1972 Nov |
| Baumann, Hella | The Horn as a Symbol | 40-48 | 1981 Apr |
| Baumann, Hella | Second International Competition for Hand Horn, Bad Harzburg, West Germany, 1987 | 19-20 | 1987 Oct |
| Baumann, Hella | Stories from the Wife of a Traveling Hornist | 33-34 | 1998 Aug |
| Baumann, Hermann | After the Stroke | 29-30 | 1998 Aug |
| Baumann, Hermann | Horn and Piano Duo Master Class | 20-22 | 1990 Apr |
| Baumann-Cloughly, Cecilia | In Memoriam: Kurt Janetzky (1906-1994) | 59 | 1995 May |
| Beach, Robert F. | A Search for Better Intonation | 28-37 | 1978 May |
| Bear, Colvin | Covid-19, Lip Surgery, and Recovery | 66-67 | 2021 Oct |
| Becker, Lauren | A Hornist in the American Wild | 61-64 | 2017 May |
| Becknell, Nancy | Louis François Dauprat (1781-1886) | 55-57 | 1981 Apr |
| Belfrage, Bengt | Damage Due to Overstrain in Brass Players | 21-24 | 1993 Apr |
| Bell, Kenneth | A Bibliographic Survey of the Horn in Chamber Music, 1750-1830 | 37-43 | 1987 Apr |
| Bell, Kenneth | A Tribute to Ted Thayer | 93 | 2003 Oct |
| Beltrami, Waleska | The First Brazilian Composition for Horn and Piano | 33-35 | 2022 May |
| Benedito, Celso and Radgundis A. Tavares Feitosa | Brazilian Etudes: Pra segostar de tocar trompa: 18 Estudos Concertantes para trompa solo | 45-51 | 2022 May |
| Bennett, Jordan | A History of Horn Multiphonics | 30-34 | 2022 Feb |
| Bentley, Kelsey | Tim Talks: A Duscussion with Tim Martin on the Subject of Lament | 89-91 | 2017 Oct |
| Bergstaller, Josef | The Summit Brass Ensemble Competition, 1992 | 86 | 1992 Oct |
| Bernal, Andrew and Briana Pepilascov-Childers | Positive Outlooks on Performances | 37-39 | 2023 May |
| Betts, Kendall et al | Tributes: Mason Jones (1919-2009) | 32-36 | 2009 May |
| Bevil, Dafydd | A Horn of Many Colors: The Horn in Film Scores | 60-64 | 2020 Oct |
| Bigelow, Newton | On Learning the Horn | 48-52 | 1987 Apr |
| Bilger, Angela Cordell | A Conversation with Jennifer Montone: Jaw and Back Injuries | 42-44 | 2020 Feb |
| Billiet, Jeroen | Brave Belgians! IHS51.Ghent: Return to an Iconic Place in the History of the Horn | 60-64 | 2019 Feb |
| Billiet, Jeroen | Louis-Victor Dufrasne and the Belgian Influence on American Horn Playing | 92-99 | 2015 May |
| Binsley, Andrew | Where Do Orchestral Horn Players Come From? | 84 | 2008 Oct |
| Binsley, Erika | Electronic Tools for Hornists | 52-53 | 2014 Feb |
| Binsley, Erika | Koetsier’s Skurrile Elegie for Wagner Tuba and String Quartet | 104-105 | 2016 Oct |
| Birnstingl, Roger | A Tribute to William Bilenko | 37 | 2004 Feb |
| Black, Kerin | The Alexander Technique: An Introduction for Horn Players | 65-66 | 2013 Feb |
| Blackstone, Douglas | The Five Most Difficult First Horn Parts | 54-55 | 2013 Feb |
| Blackstone, Douglas | The Five Most Satisfying First Horn Parts That I Have Played | 63-64 | 2013 May |
| Blake, Curtiss | Meir Rimon Discography | 94 | 1992 Apr |
| Blandford, W.F.H. | Bach’s Horn Parts | 23-27 | 1979 Apr |
| Blandford, W.F.H. | The Fourth Horn in the “Choral Symphony” | 52-59 | 1980 Apr |
| Blandford, W.F.H. | Das Vierte Horn in Beethovens 9. Sinfonie (German) | 59-66 | 1980 Apr |
| Blomster, Jennie et al | Selected Resources for Classical Hand Horn: An Annotated Bibliography | 88-92 | 2006 Feb |
| Blonk, Stefan et al | Hermann Baumann: A Pioneer on Natural Horn | 59-62 | 1998 Aug |
| Boerger, Ron | The Electronic Hornist | 73 | 2000 Nov |
| Boerger, Ron | Hornists on the ‘Net: Thomas Bacon | 75-76 | 2001 Nov |
| Boerger, Ron | Finding Horn-Related Information on the Internet | 57 | 2001 Feb |
| Boerger, Ron | Finding what You Need on the World Wide Web | 75-80 | 2003 May |
| Boerger, Ron | Making Music … With Your PC! | 73 | 2002 May |
| Boerger, Ron | Making Music … With Your PC! Part 2. | 67-68 | 2002 Oct |
| Boerger, Ron | Phishing, viruses, and scams: Don’t let yourself get caught! | 60-61 | 2004 May |
| Boerger, Ron | The Promise – and the Peril – of “blogging” | 44 | 2006 Oct |
| Boerger, Ron | The Promise – and the Peril – of Buying Online | 77 | 2002 Feb |
| Boerger, Ron | Sites, Sites, and More Sites | 63 | 2001 May |
| Boldin, James | Brass Trio Repertoire: Beyond Poulenc | 57-64 | 2015 May |
| Boldin, James | A Guide to Daily Routines | 47-52 | 2011 May |
| Boldin, James | Horn Tunes: Beethoven Symphony No. 6, III (arr) | 83 | 2022 Feb |
| Boldin, James | An Interview with Daren Robbins | 49-51 | 2013 Feb |
| Boldin, James | Teacher Talk: An Interview with Douglas Hill | 47-54 | 2011 Feb |
| Boldin, James | Why the Brass Quintet? | 69-73 | 2009 May |
| Bonaparte, Sabrina | William Robinson: The Architect of the IHS | 53-58 | 2006 May |
| Bonet, Javier | A Lost Horn Concerto is Found after 233 Years: An Interview with Elies Moncholi Cervero | 52-53 | 2013 Oct |
| Bonet, Javier et al | Concerto for Horn and Orchestra: Ab Originie (transl. Nancy Jordan Fako) | 47-48 | 2010 May |
| Bontrager, Lisa O. | Favorite Solo Pieces | 53-56 | 1996 May |
| Bontrager, Lisa O. et al | Favorite Solo Pieces, Op. 2 | 61-64 | 2015 Feb |
| Bosler, Annie | Etudes from the Repertoire: An Interview with Steven Becknell | 45-46 | 2019 Feb |
| Bosler, Annie | The Robinson Brothers | 47-49 | 2007 Feb |
| Bostley, Edward J. | The Function of the Horn in the Middle Works of Gustav Mahler | 44-68 | 1992 Ann |
| Bourgalt, Thomas | Magnus Lindberg’s Scoring for Horn | 40-42 | 2022 Oct |
| Bourgue, Daniel | Around the World in 80 Years: Chapter XVII – The Comic Opera | 49-51 | 2019 Feb |
| Bourgue, Daniel | A Conversation with Edmond Leloir | 33-40 | 2002 May |
| Bourgue, Daniel | Cor ou Trompe? Cor d’harmonie ou Cor naturel? French Horn ou Cor Allemand? Pavillon ou Cloche? [French & English] | 103-104 | 2013 Feb |
| Bourgue, Daniel | Excerpt: Olivier Messiaen: Des Canyons aux Étoiles (also in French) | 35-38 | 1993 Apr |
| Bourgue, Daniel | Homage to Georges Barboteu (1924-2006); Hommage à Georges Barboteu (French) | 39-40 | 2007 Feb |
| Bourgue, Daniel | Homage to Lucien Thévet | 37-39 | 1995 Nov |
| Bourgue, Daniel | Homage to Lucien Thévet;Hommage à Lucien Thévet (French) | 47 | 2007 Oct |
| Bourgue, Daniel | In Memoriam Edmond Leloir (1912-2003) (French and English) | 63-64 | 2004 Feb |
| Bourgue, Daniel | International Horn Festival, Vire, France; Festival International de Cor de Vire (French) | 27-28 | 2002 May |
| Boyd, Amy Gier | In Memoriam: Eugene Bozza (1905-1991) | 103-106 | 1992 Oct |
| Boyer, Emily | Entrepreneurial Chamber Music | 31-32 | 2018 Feb |
| Bracegirdle, Lee | Kruspe Horns – Back in Business | 50 | 2014 Oct |
| Bracegirdle, Lee | The New York School: Its Development and its Relationship with the Viennese Style | 16-24 | 1984 Apr |
| Bracegirdle, Lee | Sydney Symphony Orchestra Horns | 74-76 | 2010 May |
| Brain, Dennis | A Letter from Dennis Brain [reprint] | 77 | 2000 Aug |
| Braun, Elaine | Out the Bell: Why is it the “horn” and not the “French horn” | 108 | 2012 Oct |
| Brest, Paul | On Being a Chronically Untalented Amateur Chamber Musician | 108 | 2005 Oct |
| Briegleb, Arthur et al | Music Available for Ensembles of Horns | 11-18 | 1972 May |
| Brockway, Oliver | Mozart and Haydn: Some Mis-Attributions? | 16-23 | 1973 May |
| Brockway, Oliver | Specialist Publications for Horn: A British Contribution | 62-64 | 1985 Apr |
| Brooks, Arthur | Horn Playing in the Brass Quintet Context | 99-100 | 1986 Apr |
| Brophy, William R. | The Use of Third Valve Fingerings on the Horn | 41-44 | 1976 Nov |
| Brotons, Salvador et al | Concerto for Horn and Orchestra: Ab Originie (transl. Nancy Jordan Fako) | 47-48 | 2010 May |
| Brown, Emma | Student Corner: Be a Sponge! IHS54 | 66-67 | 2022 Oct |
| Brown, Tom | The Hunting Horn and the Classic Style | 38-51 | 1980 Apr |
| Brüchle, Bernhard | An Unknown Work for Horn by Richard Strauss | 21-23 | 1972 Nov |
| Brummitt, Eric | Antonio Tosoroni’s Metodo per il corno a tre piston: Valve Horn Technique in Nineteenth-Century Italy | 60-62 | 2013 May |
| Brummitt, Eric | Cor mixte: An Introduction | 41-44 | 2008 May |
| Bryan, David J. | The Barry Tuckwell Institute: A Rare and Life-Altering Learning Experience | 65-66 | 2013 May |
| Bryan, David J. | From the Balcony | 69-70 | 2013 May |
| Buehler, Emily | New Connections: An Inter-Disciplinary Performance | 81-82 | 2019 Feb |
| Bush, John-Morgan | An Interview with Julie Landsman | 30-32 | 2010 May |
| Buyanovsky, Vitali | Three Hundred Years of Horn Playing in Russia | 26-28 | 2019 Feb |
| Byler, Charles L. | “What Did George Washington Play on His Horn?” | 40-43 | 1992 Apr |
| Byrne, Frank and Michael Grose | Arnold Jacobs Reconsidered: Reflections on a Legacy at the Centennial of His Birth | 30-32 | 2016 May |
| Byrne, Joan S. | “Moldau Journey” | 65-67 | 1977 May |
| Caluori, Nicholas | Lorenzo Sansone (1881-1975) | 47-57 | 2005 Feb |
| Caluori, Nichola | Musings & Milestones – A Spotlight on Gregory Hustis | 94-97 | 2011 Oct |
| Campbell, Gordon | Remembering Antonio Iervolino (1912-1990 | 87-88 | 1990 Oct |
| Capehart, Paul | Recording Recollections | 83-84 | 2008 May |
| Carey, Mel | High Horn, Low Horn | 45 | 2015 Feb |
| Carlson, Patrick | 35 Years of International Horn Workshops | 43 | 2003 Feb |
| Carr, Cynthia L. | A College Guide for High School Horn Students and Their Teachers | 71-73 | 2006 May |
| Carr, Cynthia L. | Music for Oboe, Horn, and Piano Trio | 33-40 | 2001 Feb |
| Case, Kevin | The Commoditization of Symphony Orchestra Musicians | 71-72 | 2013 May |
| Cass, Greg | An Interview with Greg Cass: Life after Horn Playing | 68-70 | 2010 Oct |
| Catterick, Tony | Obituary: Farquharson Cousins (1917-2017) | 29-30 | 2017 Oct |
| Catterick, Tony et al | Obituary: Richard Ifor James (1931-2004) | 27-28 | 2005 Feb |
| Cavitt, Mary Ellen | The Mechanics of Lip Trills | 97-98 | 2006 Feb |
| Ceccarossi, Domenico | Phrasing; Fraseggio (Italian) | 51-54 | 1976 Nov |
| Cecil, Robert | Comrades [Poland] | 46-47 | 1971 May |
| Cerminaro, John | The Audition System in America | 35-36 | 2000 May |
| Cerminaro, John | Horn Playing in the New Millennium: The Triple Horn | 33-34 | 2005 Feb |
| Cerminaro, John | Martin Smith (1947-2005) | 65-66 | 2006 Feb |
| Cerminaro, John et al | Tributes: Richard Perissi (1921-2007) | 39 | 2008 Feb |
| Chambers, Rebecca & Sarah Schouten | What Now? Life between Your Graduate Degree and Your Dream Job | 56-57 | 2018 Feb |
| Chenoweth, Richard | The 28th Season of the Santa Fe Opera | 19-27 | 1985 Apr |
| Chenoweth, Richard | Audition Basics | 39-42 | 1996 Feb |
| Chenoweth, Richard | Excerpt: Orchestral Notes: Mozart’s Le nozze di Figaro | 49-52 | 2010 May |
| Chenoweth, Richard | Excerpt: Mozart’s Opera Cosi fan tutte, Aria No. 25 “…Per pieta…” | 51-53 | 2008 Oct |
| Chenoweth, Richard | Going Pro: It’s More than the $$ | 59-61 | 2014 Oct |
| Chenoweth, Richard | The Horn in Opera: A Perspective from the Pit | 55-63 | 2000 May |
| Chenoweth, Richard | In Memoriam: Jaroslav (“Jerry”) Knop (1918-2000) | 26 | 2001 Feb |
| Chenoweth, Richard | An Interview with Terry Johns | 57-62 | 2014 May |
| Chenoweth, Richard | An Interview with Tom Varner | 44-45 | 2011 Oct |
| Chenoweth, Richard | Legacy of the Berv Brothers; Part I: Orchestral Performance, Teaching, & Traditions | 33-40 | 2012 May |
| Chenoweth, Richard | Legacy of the Berv Brothers; Part II: Reminiscences from Ken Berv & Louis Denaro | 39-45 | 2013 May |
| Chenoweth, Richard | Mahler’s Symphony No. 5: An Interview with Karl Pituch | 37-39 | 2012 Feb |
| Chenoweth, Richard | Mendelssohn’s A Midsummer Night’s Dream | 41-42 | 2011 May |
| Chenoweth, Richard | Performing on Natural Horn for Valve Horn Players: An Interview with Paul Austin | 41-45 | 2010 Oct |
| Chenoweth, Richard | Playing for Keeps: Orchestral Etiquette | 49-53 | 2009 Feb |
| Chenoweth, Richard | Professional Performance Careers – the Advantages of Chamber Music | 39-42 | 2013 Oct |
| Chenoweth, Richard | Robert W. Elworthy | 119-123 | 1989 Apr |
| Chenoweth, Richard | Selecting a New Horn | 55-59 | 1997 Feb |
| Chenoweth, Richard | The Times, They Are a’Changing | 43-44 | 2011 Oct |
| Chenoweth, Richard | A University of Dayton Master Class: A Bibliography of Large Orchestral Works | 61 | 1992 Apr |
| Chesebro, Gayle | An Analysis of Bujanovsky’s Sonata for Horn Solo | 32-33 | 1977 May |
| Chesebro, Gayle | Horn-Lokk: An Analysis and Commentary | 15-17 | 1975 Nov |
| Chesebro, Gayle | The IHS Archive – A Resource for Regional Workshops | 58-59 | 1986 Jun |
| Chesebro, Gayle | Laudatio: an Analysis | 51 | 1979 Oct |
| Chesko, Ed & Chuck Ward | Plastic on Brass Instruments | 35 | 1989 Apr |
| Chesky, Kris & Amyn Amland | Musici an Earplugs | 35-36 | 2014 Feb |
| Chiappero, Fernando | ACLA: Latin American Horn Society | 27 | 2001 Nov |
| Chiappero, Fernando | Latin America Regional Report | 31 | 2018 Oct |
| Chiappero, Fernando | Bayres Horns (Latin Spanish and English) | 80-82 | 2020 May |
| Chicarello, Laura | Becoming a “Complete Musician” ‒ Wayne Lu’s 11 Exigent Etudes for Horn | 39-41 | 2018 Feb |
| Chinworth, Barbara | Reports from the 2011 Symposium: Amateur Sessions | 57 | 2011 Oct |
| Chollet, Fabrice | Le jeune pâtre reton, Melody with horn by Hector Berlioz (French & English) | 95-100 | 2005 Feb |
| Christinat, Lukas | Excerpt: Brahms Symphony No. 1, 4th Movement | 89 | 1991 Apr |
| Civilette, Kurt | Steel Yourself for Battle: Military Strategy for Audition Preparation | 103-104 | 2014 Feb |
| Clark, Andrew | The Horn Represents God? | 98-100 | 2012 Oct |
| Clark, John | An Interview with David Amram | 56-57 | 2010 May |
| Clark, Sandra | Breathing: What Works for Me | 71-73 | 2003 May |
| Cochran Block, Nancy | Ensemble Etiquette | 51-53 | 1986 Apr |
| Codreanu, Cristian | A Horn Player’s Destiny – From Behind the Iron Curtain | 48-51 | 2017 Feb |
| Codreanu, Cristian | My Stand Partner | 90-91 | 2017 May |
| Coghill, Gene | A Lesson with Abe | 45-46 | 1992 Apr |
| Coghill, Gene | My First Teacher, Arcady Yegudkin – “The General” | 15-19 | 1984 Oct |
| Coghill, Gene | A Summer with Jimmy | 29-36 | 1990 Apr |
| Coleman, David F. | Starting and Operating a Successful Chamber Ensemble | 88-90 | 2017 Feb |
| Collorafi, Jim | On Reconstructing Mozart’s Unfinished Horn Concerti | 13-17 | 1982 Apr |
| Collorafi, Jim | Schubert’s alla breve | 62-67 | 1986 Apr |
| Conti-Entin | Two Teaching Aids for Horn | 70-73 | 1977 Nov |
| Cooper, Christopher | My Audition with the Canadian Brass | 51 | 2000 May |
| Cooper, Zachary | An Interview with Bill Robinson | 76-80 | 2019 Feb |
| Cowan, Thomas | Profile: Interview with Charles Kavalovski | 62-67 | 1976 Nov |
| Cowan, Thomas | Profile: Interview with Norman Schweikert | 56-61 | 1976 May |
| Cowan, Thomas | Profile: Interview with Philip Farkas | 60-69 | 1977 Nov |
| Cowan, Thomas | Profile: Interview with Philip Farkas [reprint] | 43-47 | 2000 Aug |
| Cox, John | Negotiations – 1. Making Our Business “Our Business” | 47-48 | 2008 Feb |
| Cox, John | Negotiations – 2. Selecting a Negotiation Team | 47-48 | 2008 May |
| Cox, John | Negotiations – 3. Getting Along as a Negotiation Team | 47-48 | 2008 Oct |
| Cox, John | Negotiations – 4. Preparation and Research | 47-48 | 2009 Feb |
| Cox, John | Negotiations – 5. Meeting the Other Side | 45-46 | 2009 May |
| Cox, John | Negotiations – 6. Getting to Yes | 45-47 | 2009 Oct |
| Cox, John | Negotiations – 7. Signing and Aftermath | 47-48 | 2010 Feb |
| Cox, Ted | Musical Growth Through Yoga | 27-29 | 2007 May |
| Crocker, Sam | Mozart’s Horn Concerto No. 2 and the Theories of Heinrich Koch | 56-57 | 2013 Feb |
| Cryder, John | Early Horn-Bell Research at Lawson Brass Instruments | 53-54 | 1995 Feb |
| Currie, Barbara Jöstlein | Michelle Reed Baker Retires from the Met | 86-89 | 2017 May |
| Cumming, Ashley | Auditions in North America Today | 64-72 | 2015 Oct |
| Cumming, Ashley | The Birth of the US Orchestral Audition | 49-52 | 2015 Feb |
| Dalrymple, Glenn V. | Beta Blockers and Stage Fright (Performance Anxiety) | 69-70 | 2005 Feb |
| Dalrymple, Glenn V. | The Carmine Caruso Method | 71-72 | 2008 Oct |
| Dalrymple, Glenn V. | Focal Embouchure Dystonia and Musicians | 45-46 | 2006 Feb |
| Dalrymple, Glenn V. | Horn Playing and the Small Woman | 66-68 | 2005 May |
| Dalrymple, Glenn V. et al | Macular Degeneration: Basics | 69-71 | 2007 Oct |
| Dalrymple, Glenn V. | Medical Issues: An Interview with Lucinda Lewis | 55-56 | 2009 Feb |
| Dalrymple, Glenn V. | Medical Problems and Horn Playing: IHS Symposium 2003 | 52-60 | 2004 Feb |
| Dalrymple, Glenn V. | Overuse Injuries: An Interview with Lucinda Lewis | 49-50 | 2006 May |
| Dalrymple, Glenn V. | Strength and Endurance: 1. Whole Body | 63-65 | 2006 Oct |
| Dalrymple, Glenn V. | Strength and Endurance: 2. Professional Setting | 37-38 | 2007 May |
| Dalrymple, Glenn V. | The Stuffy Horn | 66-69 | 1972 May |
| Damicone, Tiffany N. | The Singing Style of the Bohemians: Part 1 – A 300-year Tradition of Czech Horn Playing | 94-102 | 2014 Feb |
| Damicone, Tiffany N. | The Singing Style of the Bohemians: Part 2 – The Modern Czech Horn School | 80-85 | 2014 May |
| Damicone, Tiffany N. | The Singing Style of the Bohemians: Part 3 – Czech Influence in America and Czech Horn Publications | 80-85 | 2014 Oct |
| Damm, Peter | The 125th Anniversary of the Concerto for Horn, Op. 11 by Richard Strauss | 56-67 | 2012 Oct |
| Damm, Peter | 125 Jahre Konzert für Waldhorn, Op. 11 von Richard Strauss (German) | 56-67 | 2012 Oct |
| Damm, Peter | On the Articulation Marks in Mozart’s Horn Concerti | 37-45 | 1978 Nov |
| Damm, Peter | Did Mozart Really Compose Only Four Horn Concertos?; Hat Mozart Wirklich Nur Vier Hornkonzerte Komponiert? (German) | 23-27 | 1980 Apr |
| Damm, Peter | Farewell to Markneukirchen / Abschied von Markneukirchen (German and English) | 33 | 2018 Oct |
| Danner, Gregory | Heinrich Domnich’s Methode de Premier et de Second Cor: Lessons in Musicianship for Today’s Student | 47-49 | 1989 Oct |
| Davis, Hazel Dean | Arcturus | 57 | 2004 May |
| Dean, David | Improving Left Hand Finger Dexterity: A Response | 79-82 | 1998 Nov |
| Deane, Richard | The Third Horn Brahms Experience: Helping the Student Master the Psychology of Orchestra Playing | 31-33 | 2007 May |
| Decker, James | Double or Nothing: How tight money in Hollywood is popularizing Deskants and Tuben | 37-41 | 1972 May |
| Decker, James | In Memoriam: Arthur Briegleb (1932-1990) | 91 | 1991 Oct |
| Decker, Richard | A Complete Discography of Recordings Made Philip Farkas, James Chambers, and Mason Jones | 20-58 | 1989 Ann |
| Decker, Richard | Thoughts on Auditioning | 31-32 | 1985 Apr |
| Decker, Richard | Profile: A Tribute to Richard Moore (1914-1988) | 29-41 | 1986 Apr |
| DeGrazia, Emilio | Horn Call (poem) | 86 | 2009 Feb |
| DeGrazia, Emilio | Horn Lore | 107-108 | 2011 Feb |
| Deitemyer, Liz et al | The Alloy Horn Quartet | 84-85 | 2018 Feb |
| Delano, Alice | Mozart Horn Concerto K. 495: A Study of Editions | 25-29 | 1987 Oct |
| DeMeulle, Allison | 2016 Symposium Report | 31 | 2016 Oct |
| DeMeulle, Allison | The 51st International Horn Symposium | 30 | 2019 Oct |
| Denney, Kathryn Troup | Playing for Two: Horn Playing While Pregnant | 41-44 | 2008 Feb |
| Deskur, Edward | A Composer’s Guide to the Low Horn | 74-80 | 1990 Apr |
| Deskur, Edward | Excerpt: Der Rosenkavalier (Second Horn) | 37-42 | 1989 Apr |
| Deskur, Edward | Low Horn – The Case for Specialization | 31-33 | 1991 Apr |
| Deskur, Edward | Low Horn Auditioning | 48-51 | 1992 April |
| Deuvall, Nicole | Adopting a Growth Mindset in Music | 84-85 | 2020 Feb |
| Divoky, Zdenek | Czech Hornist Miroslav Štefek (1916-1969) | 47-49 | 1995 Feb |
| Divoky, Zdenek | Czech Republic ’93: Hornlife Now | 45 | 1994 Feb |
| Divoky, Zdenek | Emanuel Kaucký (1904-1953) | 37-40 | 2006 May |
| Divoky, Zdenek et al | Tributes: Zdeněk Tylšar (1945-2006) | 43 | 2007 Feb |
| Divoky, Zdenek | World I Performance of 5 Dramatic Pieces for 8 Wagner Tubas by Downes | 40 | 2006 May |
| Dodson-Webster, Rebecca | Fit to Play: An Interview with Jean Rife | 81-82 | 2003 Oct |
| Dodson, Rebecca | From Anchorage to the Internet: A Major Horn Recording Collection Goes Online | 49-50 | 1994 Nov |
| Dolak, Deb | Music Listening Center | 32-37 | 1986 Jun |
| Dolson, Donna | Orchestra Auditions in Japan | 47 | 2000 May |
| Douglass, Natalie | Aural Approaches to Horn Instructions | 57-59 | 2014 Feb |
| Dressler, John C. | An Alphabetical Listing of the Chambers/International Music Company Orchestral Excerpt Books for Horn, Volumes I-VII | 90 | 1988 Apr |
| Dressler, John C. | Audition Repertoire: An Update | 51-52 | 1983 Apr |
| Dressler, John C. | Dennis Brain: A Seventieth-Birthday Tribute | 47-48 | 1991 Oct |
| Dressler, John C. | Eric Ruske: A Profile | 41-44 | 1995 Feb |
| Dressler, John C. | The IHS Archive: Source for Historical Research | 34-35 | 1985 Apr |
| Dressler, John C. | The IHS Archive: Source for Historical Research | 56-57 | 1986 Jun |
| Dressler, John C. | On the Cadenzas in Mozart’s Horn Concerti | 47-51 | 1984 Oct |
| Dressler, John C. | Tuckwell Discography: Solo and Chamber Music | 55-67 | 1997 May |
| Dunn, Richard | Don’t Confuse Me with Facts | 32 | 2014 May |
| Dunn, Richard | The Horn Music of Telemann | 60 | 2013 Oct |
| Dunn, Richard | Horror Story | 24-25 | 1973 May |
| Dunn, Richard | Linguistic Notes on Brass Technique | 52-53 | 1992 May |
| Dunn, Richard | Mozart’s Unfinished Horn Concertos | 16-25 | 1982 Oct |
| Dunn, Richard | Out the Bell: Just a Touch of Humor | 108 | 2014 Oct |
| Dunn, Richard | Physical Stress in Horn Playing | 26-28 | 1974 Spr |
| Duquette, Isaac | The Mystery behind Edith Borroff’s Sonata | 43-46 | 2022 Oct |
| Duskin, Joel W. | The Genius and the Hornist | 20-22 | 1977 May |
| Dutlenhoefer, Marie | Gebr. Alexander, Mainz 1782-1982 | 28-35 | 1982 Oct |
| Earnest, Christopher | The Horn: Stopped, Muted, and Open | 34-46 | 1977 May |
| Easter, Wallace | Ride of the Fripperies: An Interview with Lowell E. Shaw | 47-50 | 2000 Feb |
| Eisenberg, William | The Stadtpfeifer: Gottfried Reiche and Bach’s Leipzig Horn Parts | 56-58 | 2013 May |
| Eisenberg, William | Verne Reynolds’s Etude No. 6 from 48 Etudes | 90-93 | 2011 Oct |
| Eitzen, Keith | Latin America Regional Report: Mexico | 32 | 2018 Oct |
| Ekman, Thomas | The Legacy Files: Hans Sorensen (1893-1944) | 60-62 | 2003 Oct |
| Elliott, David G. | The Brahms Horn Trio and Hand Horn Idiom | 61-73 | 1979 Oct |
| Engstrom, Mats | Wilhelm Lanzky-Otto (1909-1991) | 90-91 | 1991 Oct |
| Epstein, Eli | Beyond the Notes: Authentic Expression | 47-48 | 2013 Feb |
| Epstein, Eli | Dynamics! | 75-76 | 2013 Feb |
| Epstein, Eli | Excerpt: Tackling Shostakovich Five | 75-77 | 1998 Nov |
| Epstein, Eli | Finger-Breathing: Intuitive and Natural Horn Biomechanics | 39-41 | 2015 Feb |
| Epstein, Eli | Power Practicing | 50-52 | 2009 May |
| Ericson, John Q. | A 1982 Horn Right Hand Position Survey: Tips, Notes, and More | 50-55 | 2015 May |
| Ericson, John Q. | The Assistant First Horn in Orchestra and Band | 33-34 | 2004 Feb |
| Ericson, John Q. | Beethoven’s Symphony No. 9, Schubert’s Nachtgesang im Walde and Auf dem Strom, and the Horn Technique of the Lewy Brothers in the 1820s | 5-14 | 1996 Ann |
| Ericson, John Q. | Brahms and the Orchestral Horn | 47-51 | 2021 Oct |
| Ericson, John Q. | The Case for the Compensating Triple | 86-87 | 2006 Feb |
| Ericson, John Q. | Crooks and the 19th-Century Horn | 49-58 | 1999 Aug |
| Ericson, John Q. | Dennis Brain’s Horns | 31-34 | 2016 Feb |
| Ericson, John Q. | The Double Horn and Its Invention in 1897 | 31-33 | 1997 Nov |
| Ericson, John Q. | Joseph Rudolphe Lewy and Valved Horn Technique in Germany, 1937-1851 | 23-35 | 1997 Ann |
| Ericson, John Q. | Memories of the First Paxman Triple Horn | 39-40 | 2017 Oct |
| Ericson, John Q. | A New ICSOM Audition List Survey | 53-55 | 2002 Oct |
| Ericson, John Q. | A Note on Hand-Horn Technique in the Baroque | 44 | 2021 Feb |
| Ericson, John Q. | The Original Kopprasch Etudes | 17-21 | 1997 Feb |
| Ericson, John Q. | Placing Pitch “In the Pocket” | 67-68 | 2003 May |
| Ericson, John Q. | Playing the Descant Horn | 69-71 | 2001 May |
| Ericson, John Q. | Trashing the Valved Horn? | 53-56 | 1998 Nov |
| Ericson, John Q. | The Valve Horn and Its Performing Techniques in the Nineteenth Century | 2-32 | 1992 Ann |
| Ericson, John Q. | Why Was the Valve Invented? | 35-40 | 1998 May |
| Erlenbach, Julius | The Lower Register and the Young Horn Player | 44-46 | 1972 May |
| Estrin, Glen & Steven Frucht | Focal Embouchure Dystonia: The Facts | 33-34 | 2018 Feb |
| Fader, Lorraine | The Case of the One-Handed Hornist | 38-39 | 2018 May |
| Fair, Jeffrey | Eldon Matlick Retires | 67-72 | 2023 Feb |
| Fako, Nancy Jordan | The 51st International Horn Symposium | 29-30 | 2019 Oct |
| Fako, Nancy Jordan | An Interview with Daniel Bourgue (English and French) | 30-34 | 2017 May |
| Fako, Nancy Jordan | In Memoriam: Carl Geyer (1880-1973) | 53-54 | 1973 Aut |
| Fako, Nancy Jordan | Philip Farkas and Dennis Brain | 35-36 | 2018 May |
| Falvey, Joseph | Baroque Horn Performance Techniques: Discussion and Recording Comparison | 62-64 | 2016 Feb |
| Faust, Randall E. | In Memoriam: Hugh Alan Cowden (1915-1988) | 111 | 1989 Apr |
| Faust, Randall E. | The Thought and Practice of Norman Schweikert: The Teacher and His Warm-Up Routine | 45-55 | 2020 Feb |
| Faust, Randall E. | The Thought and Practice of Norman Schweikert: The Early Years as a Scholar, Hornist, and Founding Officer of the IHS | 49-57 | 2020 May |
| Farkas, Philip | Conquering Nervousness or Stage Fright | 74-78 | 1977 Nov |
| Farkas, Philip | Excerpt: Brahms 2nd Piano Concerto: II | 40-41 | 1990 Apr |
| Farkas, Philip | Excerpt: Strauss, Ein Heldenleben, First Horn | 55-56 | 1992 Apr |
| Farkas, Philip et al | In Memoriam: Lorenzo Sansone (1881-1975) | 17-18 | 1975 Nov |
| Farkas, Philip | Medical Problems of Wind Players: A Musician’s Perspective | 64-67 | 1987 Apr |
| Farnsley, Stephen H. | Gunther Schuller’s Concerto for Horn and Orchestra | 17-23 | 1986 Oct |
| Faust, Randall E. | Edwin C. “Ted” Thayer: A Biography and Discography | 53-55 | 2021 Feb |
| Faust, Randall E. | Electronic and Compositional Techniques Used in Horn Call | 58-63 | 1981 Apr |
| Faust, Randall E. | Helen Kotas Hirsch and the Sound of the Horn | 35-37 | 2001 May |
| Faust, Randall E. | “In-Between Sounds” | 83 | 1992 Apr |
| Faust, Randall E. | In Memoriam: Hugh Alan Cowden (1915-1988) | 110-111 | 1989 Apr |
| Faust, Randall E. | Marvin C. Howe (1918-1994), Singer of Smooth Melodies | 27-36 | 1996 May |
| Faust, Randall E. | “… and now a final word on stopped horn …” | 19 | 1993 Apr |
| Faust, Randall E. | Report (1 of 2) of the 2014 Composition Contest | 23-24 | 2015 May |
| Faust, Randall E. | Report (2 of 2) of the 2014 Composition Contest | 79-81 | 2015 Oct |
| Faust, Randall E. | Report (1 of 2) of the 2016 Composition Contest | 25-27 | 2017 May |
| Faust, Randall E. | Report (2 of 2) of the 2016 Composition Contest | 33-36 | 2017 Oct |
| Faust, Randall E. | Report (1 of 2) of the 2018 Composition Contest | 71 | 2019 May |
| Faust, Randall E. | The 2018 IHS Composition Contest: Performances in Ghent, Belgium; Plans for the 2020 Contest | 72-73 | 2019 Oct |
| Faust, Randall E. | Report of the 2018 Composition Contest | 91-95 | 2020 Feb |
| Faust, Randall E. | 2020 Composition Contest Results | 80-82 | 2021 May |
| Faust, Randall E. | 2020 Composition Contest Results: Honorable Mentions | 97-100 | 2021 Oct |
| Faust, Randall E. | 2022 Composition Contest Results: Featured Division | 79-81 | 2023 May |
| Faust, Randall E. | Roger Collins (1942-2014) | 31-33 | 2014 Oct |
| Faust, Randall E. | What? Why? HowI? Questions about Warm-ups and Scales | 70-71 | 2011 May |
| Fensterer, Manfred | Excerpt: Bach B-minor Mass and Cantata “Erforsche mich Gott” | 78-79 | 1992 Oct |
| Ferjutz, Kelly | An Interview with Richard King | 61-62 | 2008 Feb |
| Fife, Nicholas | A Mindful Approach to Horn Playing and How to Stay Relevant | 61-64 | 2023 May |
| Filkins, Joanne M. | The Horn Music of Bernhard Heiden | 94-103 | 2012 Feb |
| Finke, Helmut | Horns Made by Hand?; Waldhörner Handgemacht? (German) | 47-50 | 1979 Apr |
| Foster, Stephen | An Interview with William Vermeulen: Ten Years Later | 31-34 | 1994 May |
| Foulk, Lin | Technique Tips: Got Jitters? Try This | 57-58 | 2009 Feb |
| Foulk, Lin | Works for Horn and Piano by Female Composers | 62-67 | 2004 May |
| Fox, Fred | 1938 New York Philharmonic Horn Section | 108 | 2009 Feb |
| Fox, Fred | “Bull’s Eye” | 65-66 | 1981 Apr |
| Fox, Fred | Decreasing “Clams,” Increasing Virtuosity | 73 | 1998 May |
| Fox, Fred | The Key to High Notes on the Horn | 13-14 | 1971 Feb |
| Fox, Fred | Playing a Simple Crescendo-Diminuendo on Middle “G” | 50-52 | 1971 May |
| Fox, Fred | A “Sound” Formula for the Hand Position in the Bell | 55-56 | 1979 Apr |
| Freimuth, Elizabeth | Being Female in an Orchestra Brass Section | 54-55 | 2018 May |
| Freimuth, Elizabeth | Gustav Mahler’s Symphony No. 9 | 63-65 | 2009 May |
| French, Gil | Strauss’ Horn Concerto No. 2: Vermeulen at Round Top | 37-41 | 2002 Oct |
| French, Rose | I of a Horn Concerto in Arizona | 101 | 2011 Oct |
| Freund, Robert | Gottfried von Freiberg (1908-1962): Hornist, Teacher, Role Model | 52-55 | 2021 Oct |
| Frey, Kevin | Exercises for Jazz French Horn by John Clark | 73 | 1995 Feb |
| Frey, Kevin | Improvising in Ensemble: Duets: 1. Creating Cycles | 61-62 | 1999 May |
| Frey, Kevin | Improvising in Ensemble: Duets: 2. Playing with Tonal Cycles | 77-78 | 1999 Aug |
| Frey, Kevin | Improvising in Ensemble: Duets: 2a. Playing with Temporal Cycles | 85-86 | 1999 Nov |
| Frey, Kevin | Improvising in Ensemble: Duets: 3. Tone-phrasing | 79-80 | 2000 Feb |
| Frey, Kevin | Improvising in Ensemble: Duets: 4. Cipher Notation | 81-82 | 2000 Aug |
| Frey, Kevin | Improvising in Ensemble: Duets: 4a. Cipher Notation | 75-76 | 2000 Nov |
| Frey, Kevin | Improvising in Ensemble: Duets: 5. The Performance | 61-62 | 2001 Feb |
| Frey, Kevin | Jazz Clinic: Dexterity with ii7-V7 Progression | 57-58 | 1994 Feb |
| Frey, Kevin | Jazz Clinic: Jazz Horn Interaction | 57-59 | 1992 Apr |
| Frey, Kevin | Jazz Clinic: Mental Dexterity | 39-40 | 1993 Nov |
| Frey, Kevin | Jazz Clinic: Total Improvisation: Not Just Jazz – Not Just Music | 75-77 | 1992 Oct |
| Frey, Kevin | Jazz Clinic Bibliography | 59 | 1992 Apr |
| Frey, Kevin | Improvisation Clinic | 63 | 1994 Nov |
| Frey, Kevin | Past/Presents: Revisiting the Recorded Improvisation | 83-84 | 2001 Nov |
| Frey, Kevin | Past/Presents: Revisiting the Recorded Improvisation: Julius Watkins & Linda Delia | 71-74 | 2002 Feb |
| Frey, Kevin | Past/Presents: Revisiting the Recorded Improvisation: John Clark & Airegin | 69-71 | 2002 May |
| Frucht, Steven | Embouchure Dystonia | 67-68 | 1999 Aug |
| G’froerer, Brian | My Traveling Horn | 108 | 2009 May |
| Gabler, Friedrich J. | Viennese Waltzes: A Comparison of Interpretations of Waltz Accompaniments | 65-69 | 1999 Feb |
| Gamble, Stephen | Dennis Brain: A Life in Music: The First Edition and a New Edition | 83 | 2020 Feb |
| Garcin-Marrou, Michel | The Ascending Valve System in France: A Technical and Historical Approach | 39-44 | 2002 Feb |
| Garcin-Marrou, Michel | The Ascending Valve System in France: 2. From the First Valves to the 1970s | 45-50 | 2002 Oct |
| Gardner, Gary D. | Eric Harold Birnbaum (1949-1994) | 43-44 | 1994 Nov |
| Gardner, Gary D. | The Selmer Double Horn, No. 77 | 68-70 | 1978 Nov |
| Gardner, Randy C. | Four Decades of Artistry: A Profile of Nolan Miller | 60-61 | 2006 Feb |
| Gardner, Randy C. | Performance Considerations of the Second Horn Role in Selected Works by Haydn, Mozart, and Beethoven | 72-74 | 2005 May |
| Gardner, Randy C. | Plan Your Work and Work Your Plan | 33-36 | 1996 Feb |
| Gardner, Randy C. et al | Views from the Other Side of the Screen | 39-42 | 2000 May |
| Garvin, Kieg | It’s Never Too Late (US) | 35-37 | 1999 May |
| Gaubert, Henri | Trompes de Chasse | 31-35 | 1981 Apr |
| Gavigan, James | An Interview with Engelbert Schmid | 62-63 | 1991 Apr |
| Gavin, Charles | The Concerto for Horn and Orchestra by Samuel Adler | 92-94 | 2004 May |
| Geddes, Kerry | It’s Never Too Late (Australia) | 35 | 1999 May |
| Gellert, Thomas N. | A View from the Fourth Horn Chair | 62-63 | 2016 Oct |
| George, Alexander Ritter | Concerto for Horn by Thom Ritter George | 41-43 | 2009 Feb |
| George, Alexander Ritter | The Value of Practicing Scales Slowly | 43-44 | 2016 Feb |
| Gerber, John | From the Forest to the Concert Hall: Demystifying the Trompe | 41-46 | 1020 May |
| Gerstenberger, Richard | A Teflon-Rim Mouthpiece | 14-18 | 1971 May |
| Giammarco, Helena | A Traveling Horn Player’s Thought on Studying Abroad | 97-98 | 2014 Oct |
| Gillespie, James | In Tails and To Hat, a Retired Hornist Fights Poverty | 32 | 2012 Feb |
| Gillie, Gina | Considerations for Undertaking an Independent Recording Project | 98-100 | 2011 Oct |
| Gillie, Gina | Embouchure Overuse Injuries: A Personal Experience and Advice for Recovery | 73-76 | 2020 Oct |
| Gimeno Blay, Francisco M. | The Preacher as a Metaphor for the Horn; La trompa és la preycació (Spanish) | 69-72 | 2004 Feb |
| Glick, Ed | Recollections of a Recovering Hornist | 41-42 | 2009 May |
| Goldberg, David | Horn Duets | 87-89 | 1991 Oct |
| Goodman, David W. | Taming Performance Anxiety | 55-60 | 1989 Oct |
| Gordon, Peter | Some Ideas About Playing the Horn | 95-101 | 1993 Apr |
| Gorokhov, Lev Yevgenyevich | Nizhny Novgorod Brass Competition | 47 | 1996 Nov |
| Gottschalk, Martin | A Nickel-Free Horn | 41-42 | 2005 Feb |
| Grabois, Daniel | Free-lancing Versus Teaching | 78-79 | 2012 May |
| Grabois, Daniel | Some Ideas for Serious High School Horn Students | 60-61 | 2017 Oct |
| Grabois, Daniel | Tired of Missing Notes? Work on Intonation | 47 | 2016 Oct |
| Grabois, Daniel | Twisted Metal | 54-55 | 2014 May |
| Grande, I | Finding a Group to Play with That Matches Your Interests | 35-36 | 1992 Oct |
| Granville, Brad | Political Influence on Horn Repertoire: Strauss and Hindemith | 47-54 | 2022 Oct |
| Gray, Don | Not All of Alberta’s “Big Horns” are Mountain Goats | 27 | 2003 May |
| Gregg, Tim | Norman Schweikert: A Profile | 39-42 | 1996 Nov |
| Gregory, Robin | The Horn in Beethoven’s Symphonies | 25-31 | 1977 May |
| Green, Barry | Courage: Choosing the High Road | 39-43 | 2003 May |
| Greenberg, Norman C. | Anthropology and the Horn | 64-74 | 1980 Oct |
| Greene, Gary A. | Response to Johnson’s Article Concerning the Strauss Concerti | 40-41 | 1982 Apr |
| Greene, Gary A. | Response to William Scharnberg: Rhythm | 85 | 1993 Apr |
| Greene, Russell | The Evolving Legacy of Strauss’s Horn Concerto No. 2 | 38-44 | 2022 May |
| Greer, Lowell D. | Eulogy for Helen Kotas Hirsch (1916-2000) | 37-38 | 2001 May |
| Greer, Lowell D. | A Tribute to Frank Brouk (1913-2004) | 37-38 | 2004 Oct |
| Grieve, Alexander | Craftsmanship: the Function of Art Today | 26-28 | 1975 Spr |
| Grieve, Alexander | In Memoriam: Harold L. Meek (1914-1998) | 33-35 | 1998 Nov |
| Gross, Steven | The 1991 Edition of the American Horn Competition | 11-13 | 1992 Apr |
| Gross, Steven | The 1997 American Horn Competition | 39-40 | 1998 Nov |
| Gross, Steven | American Horn Competition | 75 | 1986 Apr |
| Gross, Steven | A Competition Comes of Age | 25-30 | 1988 Apr |
| Gross, Steven | A Report from the 1989 American Horn Competition | 19-22 | 1989 Oct |
| Gross, Steven | Solo Horn Competitions in North America | 100-103 | 2009 May |
| Gross, Steven | Taped Orchestra Auditions – A Report | 41-42 | 1984 Oct |
| Grulke, Evan | Technique Tips: Stumbling Your Way to Better Rhythm and Multiple Tonguing | 90-91 | 2011 Feb |
| Guardia, Verónica et al | The 51st International Horn Symposium | 30 | 2019 Oct |
| Guarnaschelli, Nury | Thoughts to Prepare You for an Orchestral Audition (Spanish and English) | 29-31 | 2019 Feb |
| Gulbranson, Ashley | The Brahms Horn Trio Uncovered: Tips to Propel Your Performance Forward | 70-71 | 2018 May |
| Gulbranson, Ashley | A Lost Embouchure Found: A Journey Back from Focal Dystonia | 31-32 | 2014 May |
| Hackleman, Martin | Everything But Haiku: Thought on Jeff Nelsen’s Thoughts | 85 | 2006 May |
| Hagelstein, Kim Rooney | A New Generation of Hornist-Composers | 38-39 | 2019 Feb |
| Haislip, Matthew | Benefits of the Bordogni Vocalises for Horn Study | 83-85 | 2022 May |
| Haislip, Matthew | An Interview with Martin Hackleman | 71-74 | 2014 Feb |
| Halbert, Katey J. | Annette LeSiege’s Compositions for Horn | 36-37 | 2022 May |
| Halbert, Katey J. | Dorothy Dushkin’s Sonata | 35-36 | 2022 Feb |
| Halbert, Katey J. | Kay Gardner’s The Elusive White Roebuck | 55-56 | 2021 May |
| Hall, Douglas | My Week with George McCracken | 44-45 | 2013 Feb |
| Hall, Douglas & Ben Jaber | San Diego Symphony at 100 | 34 | 2010 Feb |
| Hamm, Chelsey | Charles Ives’s Songs for “Horn” | 92-94 | 2017 May |
| Hammond, L. Curtis | Of Needles and Haystacks | 69-74 | 1998 Nov |
| Hammond, L. Curtis | Of Needles and Haystacks (continuation) | 55-62 | 1999 Feb |
| Hammond, L. Curtis | Two Romantic Sextets for Winds and Piano | 38-39 | 2009 Feb |
| Hancock, John M. | The Horns of the Stearns Collection | 60-71 | 1984 Apr |
| Hansen, Kristen S. | Gregorian Chant in Two Pieces by Bozza and Busser | 65-68 | 2000 Nov |
| Hansen, Kristen S. | The Sinfonia from Tre Pezzi in forma di Sonata by Karl Pilss | 51-53 | 2014 May |
| Harcrow, Michael | Creat-a-Caption | 73 | 2009 Feb |
| Harcrow, Michael | Simon Sargon and the Horn | 92-94 | 2013 Feb |
| Hardin, Burton E. | Komm, Süsser Tod | 47-49 | 1978 Nov |
| Hardin, Burton E. | Tracking the Wild Horn | 20-24 | 1976 Nov |
| Hardin, Burton E. | Valve Port Dimensions Effect on Playing Qualities of Horn | 88-89 | 1985 Oct |
| Hardin, Burton E. & David B. | Shoulder Pain and Upper Quadrant Numbness | 104-105 | 1992 Apr |
| Hardin, Burton E. & David B. | Soft Palate Deficiency in a Brass Instrument Player | 105 | 1992 Apr |
| Harding, Lauren | A Baroque Tutor on the Horn | 34-36 | 2023 May |
| Harraman, Elizabeth | Des canyons aux étoiles… | 71-74 | 2011 Feb |
| Harris, Paul | Lost and Found: The Remarkable Story of Malcolm Arnold’s Wind Quintet | 80-82 | 2003 Oct |
| Harrison, Randolph | Remembering Glenn Janson on March 17, 2017 | 70-71 | 2017 May |
| Hart, Leslie | Improvising Cadenzas in Mozart | 67-69 | 2010 May |
| Hart, Leslie | Learning to Improvise Horn Excerpts | 49-51 | 2013 May |
| Hecht, Walter | Obituaries: Mark Veneklasen (1944-2013) | 30-31 | 2013 May |
| Hecht, Walter | Tribute to James Decker | 25-27 | 2000 Aug |
| Hellweg, Claire M. | Some Unexpected Lessons Found .. in the Ozarks? | 56-57 | 2005 May |
| Hellweg, Claire M. | Tusen Takk: A Thousand Thanks to Frøydis Ree Wekre | 62-63 | 2011 Oct |
| Hegeman, Doug | A Chronology of Pedagogical Material for Horn Prior to 1900 | 41-45 | 2004 Oct |
| Hembd, Bruce | The Horn on the Web | 55-59 | 1997 Nov |
| Hemken, Jennifer | The Mysteries of Hindemith’s Althorn Sonata | 76-84 | 2015 May |
| Henderson, Malcolm C. | The 1971 Horn Tests at Pomona: Further Results | 59-61 | 1972 Nov |
| Henderson, Malcolm C. | The Horn Tests at Pomona: Some Results | 55-57 | 1971 Nov |
| Henderson, Malcolm C. | Thinking About Stopping | 25-29 | 1973 Aut |
| Hennigar, Harcus | 1998 Punto Award: Eugene Rittich | 26-27 | 1998 Nov |
| Hennigar, Harcus | Eugene Rittich – A Tribute | 117-124 | 1990 Apr |
| Hessel, Eric | Unconventionality: The State of Horn Repertoire | 54-64 | 2019 May |
| Hiebert, Tom | A Discography of Instrumental Compositions for Natural Horn from the Baroque | 25-30 | 1992 Oct |
| Hiebert, Tom | New Heights for Natural Horn in Essen | 93-96 | 1994 Feb |
| Hiebert, Tom | Old and New Roles for the Horn in J.F. Fasch’s Hunt Concerto | 15-28 | 1996 Ann |
| Hilfiger, John Jay | Who Composed “Haydn’s Second Horn Concerto”? | 1-6 | 1993 Ann |
| Hill, Douglas | Barry Tuckwell: Catalyst for New Music for Horn | 33-38 | 1997 May |
| Hill, Douglas | Compose Yourself | 23-26 | 1994 Nov |
| Hill, Douglas | Composition Commissions Through the IHS | 29-30 | 1985 Apr |
| Hill, Douglas | The Creative Spirit, the Creative Process, and You | 27-33 | 1996 Nov |
| Hill, Douglas | Derivative Etudes: Create Your Own | 51-52 | 1996 May |
| Hill, Douglas | Echo Horn Blues | 82-85 | 2017 May |
| Hill, Douglas | Enthusiasm – The Essential Element, Brought to You by the Letter “E” | 43-44 | 2016 May |
| Hill, Douglas | For Horn Alone | 40-43 | 2021 May |
| Hill, Douglas | Horn Playing, A Balancing Act | 47-49 | 1983 Oct |
| Hill, Douglas | Jazz and Horn and More | 17-21 | 1995 Nov |
| Hill, Douglas | Meet Ruth Hokanson, our new Executive Secretary (also German, French) | 44-45 | 1979 Oct |
| Hill, Douglas | People’s Republic of China and Western Music | 45-49 | 1982 Apr |
| Hill, Douglas | Practicing Full Circle | 51-53 | 1989 Oct |
| Hill, Douglas | Preparing for College (and a Career in Music!) | 43-46 | 2000 May |
| Hill, Douglas | The Respond-able Teacher | 31-33 | 1993 Apr |
| Hill, Douglas | The Responsible Student | 61-64 | 1994 May |
| Hill, Douglas | Small Publishers and Their Music | 80-83 | 1978 Nov |
| Hill, Douglas | The Warm-up as a Complete Session | 54-55 | 1974 Aut |
| Hilliard, Howard | Horn Playing in Los Angeles from 1920 to 1970 | 67-75 | 1999 Nov |
| Hilliard, Howard | Horn Playing in Los Angeles from 1920 to 1970 (continued) | 33-43 | 2000 Feb |
| Hilliard, Howard | On or Off the Leg? | 56-60 | 2011 May |
| Hillyer, Howard L. | How I Got to Carnegie Hall | 39-43 | 2013 Feb |
| Hoefs, Peter | The Horns of the Furtslich-Hohenzollernschen Sammlungen | 51-52 | 1993 Apr |
| Hoffmann, Harry et al | The General | 79-82 | 1993 Apr |
| Hoffmann, Harry | In Memoriam: Harold Cardy | 78 | 1993 Apr |
| Hoffmann, Harry | In Memoriam: Robert Westervelt | 78 | 1993 Apr |
| Hogner, Gunter | On the Vienna Horn | 55 | 2017 Oct |
| Holland, Rachel J. | Support through Singing: A Voice Teacher’s Perspective | 45-48 | 2023 Feb |
| Honea, Sion M. et al | Dauprat and the Cadenza Tradition | 55-58 | 2006 Oct |
| Honea, Sion M. | Flutter-Tonguing for Those Who Can’t | 58-59 | 2005 Oct |
| Honea, Sion M. | A Pedagogical Survey of the Modern French Etude | 31-37 | 2004 May |
| Honea, Sion M. | The Recidivist Hornist | 77-84 | 2000 May |
| Honea, Sion M. | A System Approach to Playing and Teaching | 45-48 | 2001 Nov |
| Honea, Sion M. | A System Approach to Playing and Teaching: Part 2 | 47-51 | 2002 Feb |
| Hooks, Phil | The Mystery of the “Hooks Horn” Solved – But Who was Karl Dressel? | 33-35 | 2009 Feb |
| Hooks, Phil | Obituaries: Robert B. Hunter (1923-2009) | 28 | 2009 Oct |
| Horn, Amy | Hornswoggle 2017: Continuing the Legacy of Elliott Higgins: An Interview with Karl Kemm | 52-54 | 2017 May |
| Horner, Andrew | Fake Horns: Experiments in Taped Auditions | 61-65 | 1999 Nov |
| Horner, Anton | A Letter from Anton Horner | 91-93 | 1993 Apr |
| Hoss, Wendell | Gadgets and Gimmicks (As aids to playing the horn) | 20-22 | 1971 Feb |
| Hoss, Wendell | The Horn Trill | 52-53 | 1979 Apr |
| Hoss, Wendell | Musical Building Blocks (in excerpts for the horn) | 26-27 | 1973 May |
| Horowitz, Marc David | Horn Citations in Recent Medical and Scientific Literature | 59-61 | 1998 May |
| Horvath, Roland | In Memory of Friedrich Reithofer | 23 | 1988 Apr |
| Houghton, Dennis | Tributes: Caswell Neal (1923-2007) | 40 | 2008 May |
| Houghton, Karen | Teacher Talk: Recipe for Success | 68-72 | 2021 Feb |
| Houghton, Mark | An Interview with William Caballero | 47-48 | 2016 Feb |
| Houle, Michael | Starting a Horn Club | 47-48 | 1994 May |
| Houle, Michael & Janet | Traveling in China | 28 | 2000 Feb |
| House, R. Edmund | The German Style of Hornplaying: Myth or Method?; Mythos oder Methode: Der Deutsche Stil Horn zu Spielen (German); Le Cor Joue a L’Allemande: Un Mythe our une Methode? (French) | 29-45 | 1979 Apr |
| Howarth, Anne | André Previn’s Quintet for Horn and String Quartet | 60-61 | 2020 Feb |
| Howarth, Elgar | Eulogy for Philip Jones | 29-32 | 2000 May |
| Howe, Marvin C. | Notes on the Horn | 53-54 | 1992 Apr |
| Howe, Marvin C. | Stopped Horn | 19-24 | 1973 Aut |
| Huckeby, Ed | The Fourth Horn Part of the Adagio Cantabile Movement of Beethoven’s Symphony No. 9 | 72-75 | 1983 Apr |
| Huebscher, Olivier | Beethoven’s Horn Sonata, First Movement: An Analysis | 25-27 | 2015 Feb |
| Huebscher, Olivier | Friedrich Gumpert and His Role in Establishing American Pedagogical Priorities | 47-48 | 2019 Oct |
| Huebscher, Olivier | Quoniam from Bach’s B Minor Mass | 39-40 | 2012 May |
| Humphries, John | The 51st International Horn Symposium | 28-29 | 2019 Oct |
| Humphries, John | Can You Dance the Polka? | 79-80 | 2019 Oct |
| Humphries, John | The Dukas Villanelle – First Performance | 74-78 | 2019 May |
| Humphries, John | A Pioneer Lady Hornist | 27-28 | 1991 Oct |
| Humphries, John | The Surprising Mr. Pieltain | 58-59 | 2018 Feb |
| Hunt, Lauren | A Pedagogical Interview with Ted Thayer, Part 1 | 71-74 | 2021 May |
| Hunt, Lauren | A Pedagogical Interview with Ted Thayer, Part 2 | 71-73 | 2021 Oct |
| Hurrell, Jonathan | How to Start a Profitable Chamber Group of Any Level | 83-84 | 2008 Oct |
| Hustis, Gregory | Audition Preparation | 47-48 | 2015 May |
| Hustis, Gregory | Random Thoughts and Suggestions to Help the Young Horn Player | 32-33 | 2017 Feb |
| Hustis, Gregory | VerMeulen at Rice: Excerpts to Employment | 47-48 | 2015 Feb |
| Hustis, Gregory | What If You Can’t Play Anymore? | 47-48 | 2019 May |
| Hynninen, Mikko | Hornplaying in Finland | 12-15 | 1977 May |
| Iervolino, Antonio | Breathing Technique; Tecnica de la Respiracion (Spanish) | 19-33 | 1982 Apr |
| Iervolino, Antonio | Embouchure: Lip Aperture | 66-70 | 1989 Oct |
| Iltis, Peter W. | Basal Cell Carcinoma of the Tongue | 53-54 | 2012 Oct |
| Iltis, Peter W. | Breathing, Breathlessness, and Bolero | 39-40 | 2009 May |
| Iltis, Peter W. | Embouchure Dystonia: Hope for the Future | 66-69 | 2011 May |
| Iltis, Peter W. | Hearing Protection | 39-41 | 2009 Oct |
| Iltis, Peter W. | Horn Playing and Glaucoma: Are they linked? | 35-37 | 2013 May |
| Iltis, Peter W. | Magnetic Resonance Imaging: A Window to Understanding Motor Control in Horn Playing? | 35-36 | 2013 Oct |
| Iltis, Peter W. & Eli K. Epstein | MRI Horn: Brass Pedagogy Informed by Science! | 43-45 | 2018 Feb |
| Iltis, Peter W. | Music Performance Anxiety | 52-54 | 2012 Feb |
| Iltis, Peter W. | The Physiology of Breathing: Setting the Record Straight | 35-38 | 2013 Feb |
| Iltis, Peter W. | Real-Time Computerized Feedback for Horn Instruction | 68-70 | 2011 Feb |
| Ingraham, Paul | Excerpt: The [Mendelssohn] Nocturne | 75-77 | 1999 Feb |
| Irving, David | Instrumental Wind Playing and Speech Production | 19-27 | 1978 May |
| Jaber, Benjamin et al | San Diego Symphony at 100 | 34 | 2010 Feb |
| Jacobson, Julie | The Persistence of Natural Horn in 19th-Century France | 86-88 | 2019 Feb |
| Jaenicke, Bruno | The Horn | 58-60 | 1971 Nov |
| Jaenicke, Bruno | The Horn [reprint] | 49-50 | 2000 Aug |
| James, Eric D. | The Horn in Ensemble – Some Alternatives | 44-47 | 1982 Oct |
| James, Eric | Who is Carl Oestreich and Why is He Important to Horn Players? | 53-58 | 1984 Apr |
| James, Matthew | Fathoming a Soundworld: The Horn and Electronics | 43-45 | 2015 May |
| Janega, James | In Memoriam: Helen Kotas Hirsch (1916-2000) | 26 | 2001 Feb |
| Janetzky, Kurt | A Closer Look, Past and Future, at the Re-enlivening of the Clarin Register for Horn Music from 1720-1780; Rueck-und Ausblick zur Wiederbelebung des Clarin-Registers der HornMusik von etwa 1720-1780 (German) | 31-41 | 1981 Oct |
| Janetzky, Kurt | Metamorphoses of Possibilities | 77-88 | 1972 May |
| Janetzky, Kurt | Metamorphoses of Possibilities [reprint] | 73-75 | 2000 Aug |
| Janetzky, Kurt | Two Interesting Double Concerti; Zwei Interessante Doppelkonzerte (German) | 62-70 | 1973 Aut |
| Jenkins, Ellie | Andrew Lane: The Multifaceted Career That Led to Lansstro Horns | 64-66 | 2023 Feb |
| Jenkins, Ellie | Crystal Records, Part 2: An Interview with Peter Christ (continued) | 74-75 | 2019 Oct |
| Jenkins, Ellie | Interview with Chuck Ward | 87-90 | 2018 May |
| Jenkins, Ellie | An Interview with Frøydis Ree Wekre | 63-66 | 2006 May |
| Jenkins, Ellie | An Interview with Mark Atkinson | 68-70 | 2021 Oct |
| Jenkins, Ellie | An Interview with Peter Christ | 72-73 | 2019 May |
| Jenkins, Ellie | An Interview with Richard Seraphinoff: Historic Horns | 57-60 | 2023 May |
| Jenkins, Ellie | Lukas Horns and an Exciting Addition to the Modern Chicago Sound | 79-82 | 2022 May |
| Jenkins, Ellie | Meet Your Makers: Ricco Kuhn | 72-76 | 2020 May |
| Jenkins, Ellie | Patterson Hornworks | 54-57 | 2022 Feb |
| Jenkins, Ellie | Paxman Musical Instruments: Institution and Innovation | 65-67 | 2021 Feb |
| Jenkins, Ellie | A Profile of Engelbert Schmid | 72-74 | 2019 Feb |
| Jenkins, Ellie | A Profile of Gebr. Alexander | 68-70 | 2021 May |
| Jenkins, Ellie | Siegfried’s Call and Scott Bacon | 31-32 | 2017 Oct |
| Jenkins, Ellie | Specialty Horn Shops Surviving the Pandemic | 77-79 | 2020 Oct |
| Jenkins, Ellie | Stork Custom Mouthpieces | 58-60 | 2018 Oct |
| Jenkins, Ellie | Summer Fun for Everyone | 69-71 | 2018 Feb |
| Jenkins, Ellie | Summer Programs for 2020 | 70-71 | 2020 Feb |
| Jenkins, Ellie | Women Horn Players in the US: Part I: The Early 20th Century | 27-29 | 2016 May |
| Jenkins, Ellie | Women Horn Players in the US: Part II: 1946-Present | 58-64 | 2017 Feb |
| Jenkins, Ellie | Woodstock Mutes: An Interview with Kevin Warren | 73-76 | 2022 Oct |
| Jensen, Torben Verner et al | In Memoriam: Kjell Moseng (1942-2000) | 20-21 | 2001 May |
| Jepson, Barbara | Clambake: The Dilemma of the Horn | 78-79 | 1986 Oct |
| Jeurissen, Herman | An Unknown Horn Concerto by W.A. Mozart | 12-14 | 1980 Apr |
| Jimenez, Ken | Crossing Over: Horn and Trumpet | 37-40 | 2022 Feb |
| Johns, Michael | Getting the Most Out of Kopprasch | 67 | 2004 Feb |
| Johns, Michael | Left-Hand Problems and Solutions | 75-76 | 1998 May |
| Johns, Michael | Memories of IHS Workshop I | 39 | 2018 Oct |
| Johnson, Bruce Chr. | Richard Strauss’s Horn Concerti: Signposts of a Career | 58-67 | 1981 Oct |
| Johnson, Eric A. | How to Survive as an Amateur Horn Players in the Wilderness | 52-53 | 1982 Oct |
| Johnson, Joseph D. | Pitch Content and Structure in Part I of Milton Babbitt’s Around the Horn | 95-99 | 2013 Feb |
| Johnson, Keith M. | The First Indiana University Natural Horn Workshop | 89 | 1994 Feb |
| Johnson, Kiirsi Maunula | Toronto Symphony Orchestra Horns | 35-36 | 2018 Oct |
| Johnson, Robert | Behind the Scenes: Making History with Pierre Jalbert’s New Horn Concerto | 92-94 | 2005 May |
| Johnson-Webb, Katie & Maddy Tarantelli | Song, Sound, and Study with Frøydis Ree Wekre – Advocating Study Outside Your Musical Tradition | 56-57 | 2019 Feb |
| Jolley, David | Duos for Horn and String Quartet by George Perle | 35-36 | 1996 Nov |
| Jones, Carlberg | The Horn Player’s Right Hand | 61-67 | 1971 Nov |
| Jones, Frances | The Call of Nature: Why Do We Respond When a Composer Uses an Alphorn Motif | 58-61 | 2015 Oct |
| Jones, Frances | The Legacy of the Alphorn | 41-46 | 2010 Feb |
| Jones, Leighton | Alfred Edwin Brain (1885-1966): A forgotten British Horn Virtuoso? | 49-57 | 2004 Oct |
| Jones, Leighton | Alfred Edwin Brain Jnr (1885-1966): Prince of Horn Players: The Forgotten British Horn Virtuoso: Part I | 99-105 | 2015 Oct |
| Jones, Leighton | Alfred Edwin Brain Jnr (1885-1966): Prince of Horn Players: The Forgotten British Horn Virtuoso: Part II | 91-99 | 2016 Feb |
| Jones, Leighton | Alfred Edwin Brain Jnr (1885-1966): Prince of Horn Players: The Forgotten British Horn Virtuoso: Part III | 80-99 | 2016 May |
| Jones, Leighton | Alfred Edwin Brain Jnr (1885-1966): Prince of Horn Players: The Forgotten British Horn Virtuoso: Part IV | 93-103 | 2016 Oct |
| Jones, Leighton | Symposium Reports 2015 | 35 | 2015 Oct |
| Jöstlein, Thomas | A Hornist Prepares for the American Horn Competition | 89-91 | 2004 May |
| Joukamo-Ampuja, Erja et al | Teaching Intonation: Thoughts for Horn Players | 47-50 | 1999 Aug |
| Jourdin, Frederic | A German Horn with a French Valve | 85-88 | 2009 May |
| Jourdin, Frederic | A Horn for Dennis Brain’s 100th Birthday | 40-43 | 2021 Feb |
| Judge, Mike | Student Corner: Performance Anxiety and the Horn | 51-52 | 2023 May |
| Justiniano, Emily | Auditioning for US Air Force Bands | 49-50 | 2000 May |
| Kampen, Paul A. | Profile: Farquharsen Cousins | 19-23 | 1986 Apr |
| Kampen, Paul A. | The Ripon Horn | 38-39 | 1986 Oct |
| Kappy, David | The Woodwind Quintet: Challenges and Rewards for the Horn Player | 83-85 | 1983 Oct |
| Kaslow, David | The Exercise from Hades | 81-82 | 2002 Feb |
| Kaslow, David | Fearlessness | 23-29 | 1994 May |
| Kaslow, David | Perfection and Perfectionism | 43-45 | 1998 May |
| Kaslow, David | A Renewed Approach to Hornplaying | 45-51 | 1992 Oct |
| Katzen, Daniel | Bach’s Cello Suites on the Horn | 76-77 | 2012 Oct |
| Kavalovski, Charles | Excerpt: Franck Symphony in D Minor | 66 | 1986 Oct |
| Kaza, Roger | Taking Your Horn into the Wilderness | 60-62 | 1983 Oct |
| Kaza, Roger | The Triple Horn Revisited: F/B-flat/E-flat | 81-82 | 1999 Aug |
| Kearns, Andrew | Clarino Horn, Hand Horn, and Virtuosity in the Late 18th Century Horn Concerto | 2-30 | 1991 Ann |
| Kearns, Andrew | The Virtuoso Horn Concertos of Franz Xaver Pokorny | 33-46 | 1983 Oct |
| Kemple, Wilbert Kenneth, Jr. | The Holton H-200 Double Descant: A Diamond in the Rough | 37-41 | 1985 Apr |
| Kemple, Wilbert Kenneth, Jr. | Purchasing a Quality Horn For Under $1,300 (1990 prices) | 69-73 | 1990 Apr |
| Kemple, Wilbert Kenneth, Jr. | Results of a National Survey of Professional Horn Players | 55-59 | 1979 Oct |
| Kendall, Bill et al | Tributes: Walter Lawson (1923-2007) | 40-42 | 2007 Oct |
| Kent, Douglas | Our Philadelphia Story | 41-47 | 2007 May |
| Kierman, Sean & Pamela | South Africa Horn Society Outreach Initiatives | 29-30 | 2006 May |
| Kilpinen, Eero | Condition of Teeth and Periodontium in Male Wind Instrument Players in the City of Helsinki | 17-18 | 1978 May |
| Kilroe-Smith, Cathy | Love, Discipline, Patience, and Concentration – Advice from Peter Damm | 97-99 | 2009 May |
| Kinney, Guy | The Perils of Being Principal | 26-28 | 2023 May |
| Kirby, Percival R. | Horn Chords: An Acoustical Problem | 40-43 | 1977 Nov |
| Kirby, Percival R. | Horn Chords: An Acoustical Problem [reprint] | 65-67 | 2000 Aug |
| Kirschen, Jeffry | Accepting Less Than Your Best as Your Best | 71-73 | 1995 May |
| Kirschen, Jeffry | Five Minutes … | 53-55 | 1985 Apr |
| Kirschen, Jeffry | A Profile of Mason Jones | 27-30 | 1996 Feb |
| Kleucher, Malinda Finch | Alternate Fingerings on the Double Horn | 52-61 | 1989 Apr |
| Kleucher, Malinda Finch | An Armchair Masterclass: Seven Elements of Horn Playing | 47-53 | 1991 Apr |
| Kleucher, Malinda Finch | The Finke Triple Horn: A Review | 49-51 | 1984 Apr |
| Kleucher, Malinda Finch | The “W-I-N-N-E-R” Approach to Auditions | 81-84 | 1992 Oct |
| Klingelhoffer, Bill | Polishing It: Adam’s Giselle | 32 | 2008 May |
| Klinke, Albert | Using the “A” Horn | 42-45 | 1971 Nov |
| Klock, Laura C. et al | Tributes: Thomas Wilson Murray (1925-2007) | 38-40 | 2007 Oct |
| Kloss, Marilyn Bone | Advice for Amateurs: I | 65-67 | 1998 Nov |
| Kloss, Marilyn Bone | Advice for Amateurs: II (continuation) | 45-49 | 1999 Feb |
| Kloss, Marilyn Bone | Amateur Chamber Ensembles | 55-56 | 2004 May |
| Kloss, Marilyn Bone | Australian Composers for the Horn | 30-34 | 2011 Feb |
| Kloss, Marilyn Bone | Boston Symphony Auditions | 84-85 | 2018 May |
| Kloss, Marilyn Bone | Cow horn? Why a cow horn? | 25-26 | 2015 May |
| Kloss, Marilyn Bone | The Bach Cello Suites on Horn | 37-41 | 1994 Nov |
| Kloss, Marilyn Bone | Concurrent I Introduces a New Trio | 23-30 | 1998 May |
| Kloss, Marilyn Bone | Elliott Carter Horn Concerto I | 83-87 | 2008 Feb |
| Kloss, Marilyn Bone | Fifty Is Not Too Late! | 49-51 | 1998 Feb |
| Kloss, Marilyn Bone et al | Horn Design by Tuckwell | 41-44 | 1997 May |
| Kloss, Marilyn Bone | The Horn in Australia | 73-74 | 2010 Feb |
| Kloss, Marilyn Bone | Osmun Music: A Profile | 28-29 | 2017 May |
| Kloss, Marilyn Bone | Premieres at the 2012 IHS Symposium | 90-91 | 2012 Feb |
| Kloss, Marilyn Bone | Richard Mackey Retires | 49-55 | 2006 Feb |
| Kloss, Marilyn Bone | Schuller Horn Quintet Commission | 29-30 | 2009 May |
| Kloss, Marilyn Bone | Straddling the Fence: An Interview with Richard Todd | 72-74 | 2011 May |
| Kloss, Marilyn Bone | There is Life after Music School: Three Stories | 51-55 | 2001 May |
| Kloss, Marilyn Bone | Tomoko Kanamaru: A Horn Players’ Pianist | 48-50 | 2014 May |
| Kloss, Marilyn Bone et al | Tributes: Abe Kniaz (1923-2007) | 42-44 | 2007 Oct |
| Koster, Ab | In Memoriam: Jan Schröder (1942-2019) | 28 | 2019 May |
| Koster, Ab | Symposium Reports 2015 | 35 | 2015 Oct |
| Kramer, Danielle | I am a Music Major, Not an English Major: College Writing for Hornists | 57-58 | 2023 Feb |
| Kratz, David A. | Rotor Valve Maintenance | 41-44 | 1991 Apr |
| Krehbiel, David et al | A Horn Excerpt Sing-Along | 34-36 | 2010 May |
| Kreutzer, Hans Joachim | Hermann Baumann: A Biography | 23-26 | 1998 Aug |
| Kurth, Robert H. | Copper Toxicity: A Rebuttal | 77 | 1993 Apr |
| LaBar, Arthur | Horn Player’s Audition Handbook Errata | 108 | 1989 Apr |
| LaBar, Arthur | A survey of Audition Repertoire in Opera and Ballet Houses | 29 | 1991 Oct |
| LaBar, Arthur | Thirty-Five Years at the Met: An Interview with Howard T. Howard | 39-46 | 1996 May |
| LaBonte, Nikolette | Instrument Gender Stereotyping | 55-61 | 2022 Oct |
| Lambert, Adele | Thank You, Sinclair Lott | 43-44 | 2012 Feb |
| LaMonaca, Caesar | Daily Studies Compiled and Edited by Caesar LaMonaca | 91-107 | 2017 Feb |
| Lang, Jeffrey | 100 Years of Bernstein and Finland | 73 | 2018 Feb |
| Lang, Jeffrey | Greetings from Philadelphia: A Tribute to Mason Jones | 61 | 2009 Feb |
| Lang, Jeffrey | Playing Horn in the Big Apple | 43-44 | 1999 May |
| Lanham, Lynn | A Man of Many Talents: Paul Basler [An Interview] | 89-91 | 2007 May |
| Lantz, Evans | Another View of The General | 11-12 | 1985 Apr |
| Lanzky-Otto, Ib | Is a Beautiful Horn Sound Really of any Importance? | 35-37 | 1980 Apr |
| Lanzky-Otto, Ib | Is a Beautiful Horn Sound Really of any Importance? [reprint] | 45-46 | 2019 May |
| Lanzky-Otto, Ib | Wilhelm Lanzky-Otto (1909-1991) | 29-37 | 2005 May |
| Larkin, Christopher | Douglas Moore (1918-2007) | 24-25 | 2007 May |
| Larkin, Christopher | Four-Horned Fandango: an Interview with Mark-Anthony Turnage | 27-28 | 2002 Feb |
| Larkin, Christopher | The Nicolai Duets | 87-90 | 2018 Feb |
| Larkey, Amy | Gustav Heim (trumpet) and the Waldhorn Quartette (Max Hess, Franz Hain, William Gebhardt, Heinrich Lorbeer) | 34-41 | 1977 Nov |
| Laursen, Amy | Horns in the National Music Museum | 84-88 | 2018 Oct |
| Laursen, Amy | Ries’s Pieces: Concerto for Two Horns, WoO 19 | 83-87 | 2017 Feb |
| Lawson, Bruce | A Primer on Acoustics and Horn Design | 59-63 | 1998 Nov |
| Lawson, Walter | Detachable Horn Bells | 21-23 | 1990 Oct |
| Lawson, Walter | The Effects of Screw Bell Alloy on the Acoustic | 53-56 | 1980 Oct |
| Lawson, Walter | Horn Improvement Survey Report | 52-54 | 1979 Oct |
| Lawson, Walter | Instrument-to-Player Coupling | 67-71 | 2000 Feb |
| Leeson, Daniel N. | Whatever Happened to the Sinfonie Concertante? | 68-74 | 1986 Apr |
| Leloir, Edmond | A Visit to Lisbon | 61 | 2001 Nov |
| Leloir, Edmond | A Visit to Pesaro | 57-58 | 2001 May |
| Lesnick, Adam | New African Music for Horn | 57-59 | 2007 Feb |
| Lesnick, Adam et al | Tributes: Alan Paterson (1949-2007) | 36-38 | 2007 Oct |
| Lessing, Murray | A Response to Whipple’s Hybrid Third Valve | 62-63 | 1981 Apr |
| Leuba, Christopher | Audition by Video-tape: Commentary | 84-85 | 1983 Oct |
| Leuba, Christopher | Comments On, and an Index of the Gumbert Excerpt Series | 19-21 | 1979 Oct |
| Leuba, Christopher | Excerpt: Johannes Brahms Symphony No. 1 | 31-32 | 1993 Nov |
| Leuba, Christopher | Excerpt: Opening to Johannes Brahms, Second Concerto for Piano | 35-37 | 1989 Oct |
| Leuba, Christopher | Helen Kotas: An Appreciation | 47-48 | 1995 Nov |
| Leuba, Christopher | The Horn Concertos of Franz Anton Rossler (“Rosetti”) | 42-49 | 1978 Nov |
| Leuba, Christopher | The Inherent Drive of Rhythm [continuation] | 64-65 | 1986 Oct |
| Leuba, Christopher | Interpreting Evaluations | 43 | 2001 Feb |
| Leuba, Christopher | Inserts in the Horn | 12-14 | 1975 Nov |
| Leuba, Christopher | Inserts in the Horn [reprint] | 71-72 | 2000 Aug |
| Leuba, Christopher | Kelp Horn | 116 | 1998 Nov |
| Leuba, Christopher | The Literate Hornist | 21 | 1988 Apr |
| Leuba, Christopher | Performing the Brass Quintets of Victor Ewald | 36 | 1985 Oct |
| Leuba, Christopher | Recording the Horn in the Wind Quintet | 30-35 | 1973 Aut |
| Leuba, Christopher | Shipping a Horn | 96 | 1992 Apr |
| Leuba, Christopher | Stravinsky’s F Sharp | 42-43 | 1981 Oct |
| Leuba, Christopher | “Stopped” Playing on the Horn | 60-64 | 1975 Spr |
| Leuba, Christopher | Survival of the Fittest | 10 | 1985 Apr |
| Leuba, Christopher | TuneUP CD-based Intonation Training System: A Users Guide to Ears | 85 | 1994 Nov |
| Leuba, Christopher | Vibrato: Questions and Responses | 69-71 | 1992 Apr |
| Leverenz, Anna | Musical Borrowings in En Fôret: The Influence of Ottorino Respighi and the Legend of St. Hubert | 54-55 | 2010 May |
| Leverenz, Anna | Virtuosity in Eisenstadt: The Esterházy Horns and Haydn’s Compositional Style | 62-63 | 2019 Oct |
| Lewis, Gail | Ethel Merker Receives IWBC Pioneer Recognition Award | 37-39 | 2000 Nov |
| Lewis, Gail | The Heart of the Matter: An Introduction to One of Benjamin Britten’s Little Known Works for the Horn | 29-38 | 1996 Ann |
| Limbird, Noelle | Ida Gotkovsky and Her Concerto: A Unique Opportunity | 44-45 | 2017 May |
| Limbertie, Wendy | Ithaca was CORges! The 2016 Horn Symposium | 29-30 | 2016 Oct |
| Linder, Waldemar | In Memoriam: Wendell Hoss | 36 | 1980 Oct |
| Lindsay, Kevin | Performing Stan Kenton’s Music on the Original Instrument: The Mellophonium | 107-108 | 2004 May |
| Lindsay, Kevin et al | A Tribute to Curtiss Blake (1940-2004) | 39-40 | 2005 Feb |
| Littleton, Joe | The Seven Year Quest: An Alphorn Saga | 19-23 | 1994 Feb |
| Lloyd, Frank | An Interview with Greg Cass: Life after Horn Playing | 68-70 | 2010 Oct |
| Lloyd, Frank | Performing Britten’s Serenade | 68-73 | 2013 Feb |
| Lloyd, Frank | Symposium Reports 2015 | 35 | 2015 Oct |
| Lockwood, Ralph | Taking a New Stance | 58-61 | 1984 Oct |
| Loebl, Cindy Carr | Two Important European Horn Competitions of 1987 | 72-79 | 1988 Apr |
| Loke, Erika Binsley | Horn and Fixed Media | 82-83 | 2018 Oct |
| Loke, Erika Binsley | Military Matters: Call for Scores | 74-75 | 2022 May |
| Loke, Erika Binsley | Military Matters: Career Opporunities in US Military Bands | 54-56 | 2023 May |
| Loke, Erika Binsley | Military Matters: Interview with PO2 Allison Zaichkowski | 61-63 | 2023 Feb |
| Loke, Erika Binsley | Military Matters: Interview with SSgt Kat Robinson | 70-72 | 2022 Oct |
| Lomas, Charles | Another Way | 65-67 | 2014 Oct |
| Lomas, Charles | Hearing Protection for Hornists | 71-73 | 2010 Oct |
| Lomas, Charles | Playing the Horn in Church | 64-65 | 2011 May |
| Lopez Munoz, Luis Fernando | The Arrival of the Horn in Columbia (English and Spanish) | 57-59 | 2021 May |
| Lorenz, Michael | A Little Leitgeb Research | 65-70 | 2014 Feb |
| Lou Jindy & Dye Shade | Chinese Horn Master Han Xianguang Celebrates his 80th Birthday | 74-77 | 2014 Oct |
| Lowe, Laurence Michael | A Conversation with Verne Reynolds | 27-32 | 1990 Oct |
| Luchsinger, Brenda | Twinkle, Twinkle, Little Horns: The Suzuki Method for Brass | 42-44 | 2023 Feb |
| Lundy, Johanna | Becoming a Better Musician Through Contemporary Solo Music | 63 | 2018 Feb |
| Lundy, Johanna | Mindfulness for Musicians | 45-48 | 2021 Feb |
| Lynch, William C. | An American in England: Dennis Brain and the Missing Episode | 51-52 | 2016 May |
| Lynch, William C. | Brothers in Brass: the Friendship of Malcom Arnold and Dennis Brain | 72-78 | 2016 Oct |
| Lynch, William C. | Dedications and Tributes to Dennis Brain | 43-47 | 2022 Feb |
| Lynch, William C. | Dennis Brain: New-Found Unpublished Holdings | 62-64 | 2014 Feb |
| Lynch, William C. | Dennis Brain Recordings Discovered at Stanford University | 42-44 | 2005 May |
| MacCracken, Thomas G. | Further Observations on Bach’s Use of the Horn: A Reply to Bertil H. van Boer, Jr. | 97-104 | 1990 Ann |
| MacDonald, James | Leutgeb’s Legacy: The Mozart Horn Masterpieces | 29-35 | 1975 Spr |
| MacDonald, John | Effective Use of the Triplehorn in the Symphony Orchestra | 23-24 | 1991 Oct |
| MacDonald, John | Horn Recovery – Getting Back in Shape After a Long Hiatus | 95-101 | 2017 May |
| MacDonald, Ken | A Hornist in Borneo: A Cultural Exchange with the Wild Orangutans of Indonesia | 32-36 | 2005 Oct |
| Machala, Kazimierz | Edwin Golnik and His Influence on Horn Players in Poland | 51-52 | 1995 Nov |
| Machala, Kazimierz | František Šolc’s Contribution to the Tradition of Horn Playing in Czechoslovakia | 26-27 | 1991 Oct |
| Manners, Alex | Distance Running and Horn Playing | 81-82 | 2017 Feb |
| Manning, John | Creative Pedagogy and Practice | 65-66 | 2010 Feb |
| Manous, Carlyle | Mouthpiece Pressure: How Much? What Effects? | 53-60 | 1999 Aug |
| Mansur, Paul | 1997 Punto Honorees | 51-52 | 1997 Nov |
| Mansur, Paul | Hullabaloo in a Horn Bell or the Dilemmas of a Horn | 39-44 | 1975 Spr |
| Mansur, Paul | IHS Archive, Ball State University | 4-7 | 1986 Jun |
| Mansur, Paul | IHS Punto Awards: J. Christopher Leuba and Douglas Campbell | 45 | 1996 Nov |
| Mansur, Paul | In Memoriam: Elaine Powers (1960-2002) | 23-24 | 2003 Feb |
| Mansur, Paul | In Memoriam: Forrest W. Standley (1916-1986) | 28 | 1986 Oct |
| Mansur, Paul (ed) | In Memoriam: Meir Rimon (1946-1991) | 101-103 | 1992 Apr |
| Mansur, Paul (ed) | In Memoriam: Philip Farkas (1914-1992) | 71-75 | 1993 Apr |
| Mansur, Paul | In Memoriam: Uve Uustalu (1933-1990) | 89 | 1990 Oct |
| Mansur, Paul (ed) | Obituary and Memorial for Alan Civil (1928-1989) | 109-112 | 1989 Oct |
| Mansur, Paul | Thoughts and Observations on Vienna and Vienna Horns | 45-47 | 1984 Apr |
| Mansur, Paul | A Tribute to George Yaeger | 45-47 | 2003 May |
| Mansur, Paul | Which is the Properest Horn to Play | 74-78 | 1978 May |
| Marsh, Robert E. | IHS Archive Update/Report | 8-9 | 1986 Jun |
| Marshall, Barry | What’s Available From Your Repair Person? | 30-33 | 1989 Apr |
| Marsolais, Louis-Philippe | The Canadian Horn School / L’ecole Canadienne du Cor | 28-32 | 2023 Feb |
| Marsolais, Louis-Philippe | Symposium Reports 2015 | 36 | 2015 Oct |
| Martin, Jean | 1999 Punto Award: Brice Andrus | 35-36 | 1999 Aug |
| Martin, Jean | A. David Krehbiel: Forty Years in the Orchestra | 61-65 | 1997 Feb |
| Martino, Luis Ariel | Latin America Regional Report: Argentina | 31 | 2018 Oct |
| Martin-Williams, Jean | Excerpt Clinic with the Pittsburgh Symphony Horn Section | 67-68 | 2003 Oct |
| Martin, Jean | Excerpt: Saint-Saëns: Symphony No. 3, Third Horn | 67-68 | 1994 May |
| Martin, Jean | Mahler’s Fifth Symphony: A Conversation with Gregory Hustis | 65-69 | 1995 May |
| Marx, Josef | An Introduction to Mozart’s 12 duos for Two French Horns (K. 487) | 49-65 | 1988 Oct |
| Mascher-Turner, Kristina | An Interview with Jeroen Billiet – Host IHS51 | 29-31 | 2019 May |
| Massa, Katherine | Weber’s Concertino | 80-83 | 2012 May |
| Mathie, David | An Important Alternative in Horn Chamber Music: Heitor Villa-Lobos’ Choros No. 4 | 35 | 1991 Apr |
| Matosinhos, Ricardo | Effective Online Music Lessons | 55-59 | 2020 Oct |
| Matosinhos, Ricardo | Kerry Turner’s Abide with Me | 40-41 | 2019 Feb |
| Matosinhos, Ricardo | A New Voice for the Wagner Tuba | 70-71 | 2022 Feb |
| Matosinhos, Ricardo | Orthodontics and Horn Performance | 75-77 | 2016 Feb |
| Matosinhos, Ricardo | A Metaphorical Approach to Horn Teaching | 41-42 | 2014 May |
| Matosinhos, Ricardo | Practicing During School Breaks | 43-44 | 2015 Feb |
| Matosinhos, Ricardo | A Stolen Horn Story | 62-63 | 2017 Oct |
| Matosinhos, Ricardo | To Stop or Not to Stop – That is the Question | 56-59 | 2017 Oct |
| Matsubara, Chiyo | Horn Situation in Japan | 51-53 | 1975 Nov |
| Matsubara, Chiyo et al | Memories of “Bachi” – Kaoru Chiba (1928-2008) | 36-38 | 2008 Oct |
| Mayer, Abby | My Guiding Star | 49 | 1993 Apr |
| Mayer, Abby | Summer Horn Teaching | 23-27 | 1971 Feb |
| Mayer, Abby | Villa Richard Strauss | 51-52 | 1995 Feb |
| Mayer, Abby & Lloyd | Better Breathing | 69-72 | 1971 Nov |
| Mayes, Martin | International Competition for Horn and Tuba, Markneukirchen, GDR | 44-46 | 1984 Oct |
| McAfee, Andrew M. | Five Basics for a Horn Embouchure | 92-93 | 2011 May |
| McClellan, David | Sandra Clark (1959-2014) | 31 | 2014 Oct |
| McConathy, Osbourne | Virtuosity | 46-48 | 1971 Nov |
| McConathy, Osbourne | Virtuosity [reprint] | 41-42 | 2000 Aug |
| McCue, Edward | Room Acoustics and the Orchestra Hornist | 44-47 | 1988 Oct |
| McCullough, David M. | Eugène Bozza’s Suite for Horn Quartet | 39-43 | 1995 May |
| McCullough, David M. | Hindemith’s Sonata for Four Horns | 63-64 | 1992 Apr |
| McCullough, David M. | The Horn Quartet: An Historical Perspective | 31-48 | 1991 Ann |
| McDermott, William F. | Mad About Music | 103 | 2017 Oct |
| McElhinney, Michael | Hunters, Horses, and Horns | 23-27 | 1995 Feb |
| McFarland, Mark | An Interview with James Thatcher | 57-59 | 2002 May |
| McKee, William | Teachers of Another Era | 27-30 | 1993 Apr |
| McLean, D. Ross | The Microbiology of the Horn | 33-38 | 2019 May |
| Mead, Allan W. | Holding Device Used by Allan W. Mead | 18-19 | 1971 Feb |
| Meckna, Michael | As if Your Life Depended on it: Advice from Some Horn Masters | 39-41 | 1994 Feb |
| Meckna, Michael | The Legacy of Vitali Bujanovsky (1938-1993) | 23-24 | 1993 Nov |
| Meckna, Michael | Profile: the Legacy of Dennis Brain | 55-56 | 1991 Apr |
| Meckna, Michael | “Sitting on the Edge of Your Seat”: Alan Civil and Horn Playing | 39 | 1992 Apr |
| Meckna, Michael | Without Dubbing: Domenico Ceccarossi (1910-1997) | 61-62 | 2000 Feb |
| Meek, Harold | Boston Symphony Orchestra Horn Sections [response to Douglas Yeo] | 18-23 | 1989 Apr |
| Meek, Harold | Emil Wipperich (1854-1917) | 124 | 1989 Apr |
| Meek, Harold | The Horn | 26 | 1990 Oct |
| Meek, Harold | The Horn | 19-20 | 1971 May |
| Meek, Harold et al | The Horn [reprint] | 29-30 | 2000 Aug |
| Meek, Harold | In Memoriam: Anton Horner (1877-1971) | 22-23 | 1972 May |
| Meek, Harold | In Memoriam: Guy Gibbs (1925-1971) | 12 | 1971 May |
| Meek, Harold | In Memoriam: Max Gustav Hess (1878-1975) | 40-42 | 1974 Aut |
| Meek, Harold | In Memoriam: Max Gustav Hess (1878-1975) [reprint] | 29-30 | 2018 May |
| Meek, Harold | In Memoriam: Max P. Pottag (1876-1970) | 38-39 | 1971 Feb |
| Meek, Harold | Profile of Arthur David Krehbiel | 43 | 1971 May |
| Meek, Harold | Profile of Dale Clevenger | 43-44 | 1971 May |
| Meek, Harold | Profile of Harold Fricke | 41 | 1971 Nov |
| Meek, Harold | Profile of Lorenzo Sansone | 40 | 1971 Nov |
| Meeroff, Myrna | A Unique Solution to the Plating Problem | 75-76 | 2002 May |
| Mehta, Zubin | A Tribute to Henry Sigismonti | 9 | 1991 Apr |
| Meier, Dan | James Chambers Remembered | 112-116 | 1989 Apr |
| Mejias, Jorge | Latin America Regional Report: Columbia | 31 | 2018 Oct |
| Melton, William | A Forgotten Master Composer for Horn | 65-70 | 2013 Oct |
| Melton, William | Franz Strauss: A Hero’s Life | 21-26 | 1999 Feb |
| Melton, William | Greetings from Heaven, or Demonic Noise? 1. The Vision | 49-58 | 2001 Aug |
| Melton, William | Greetings from Heaven, or Demonic Noise? 2. The Apprentice | 37-43 | 2001 Nov |
| Melton, William | Greetings from Heaven, or Demonic Noise? 3. Trials and Transpositions | 55-62 | 2002 Feb |
| Melton, William | Greetings from Heaven, or Demonic Noise? 4. Fruition | 43-53 | 2002 May |
| Melton, William | Greetings from Heaven, or Demonic Noise? 5. The Disciple | 55-67 | 2003 Feb |
| Melton, William | Greetings from Heaven, or Demonic Noise? 6. Wagner’s Heirs | 49-62 | 2003 May |
| Melton, William | Greetings from Heaven, or Demonic Noise? 7. Modern Voices | 43-50 | 2004 Feb |
| Melton, William | Greetings from Heaven, or Demonic Noise? 8. Revival | 43-52 | 2004 May |
| Melton, William | Henri Kling: A European Musician, Part 1 | 50-53 | 2018 Feb |
| Melton, William | Henri Kling: A European Musician, Part 2 | 48-53 | 2018 May |
| Melton, William | Henri Kling: A European Musician, Part 3 | 75-81 | 2018 Oct |
| Melton, William | Lott’s Angeles: The Life and Times of Sinclair Rogers Lott, Part I: 1912-1949 | 49-61 | 2010 Feb |
| Melton, William | Lott’s Angeles: The Life and Times of Sinclair Rogers Lott, Part 2: The 1950s | 58-65 | 2010 Oct |
| Melton, William | Lott’s Angeles: The Life and Times of Sinclair Rogers Lott, Part 3: The 1960-1995 | 58-67 | 2011 Feb |
| Mende, Emily | The Hunting Horn in Europe | 58-64 | 1978 May |
| Mende, Emily | In Memoriam: The Rev. Dr. H.c. Wilhelm Bernoulli | 36 | 1981 Apr |
| Meng, Paul | The Horn’s Heritage in China | 33-38 | 1999 Nov |
| Meng, Paul | The Horn’s Heritage in China: 2. Second and Third Generations | 53-58 | 2000 Feb |
| Menkhaus, Renée | New Approaches in Horn Pedagogy | 69 | 2009 Feb |
| Menkhaus, Renée | In the Mind’s Eye: A Konzertstück for the New Millennium | 108 | 2010 Oct |
| Merewether, Richard | “Bad Notes” in Horns | 26-27 | 1976 Nov |
| Merewether, Richard | Even More About Open & Stopped Horns | 28 | 1976 Nov |
| Merewether, Richard | A Little on Horn Design | 43-49 | 1986 Apr |
| Merewether, Richard | On the Design of the Horn | 78-82 | 1990 Oct |
| Merewether, Richard | The Question of Hand-Stopping | 45-59 | 1975 Spr |
| Merewether, Richard | Varying National Usages in the Music of Rossini | 18 | 1986 Apr |
| Merewether, Richard | The Vienna-Horn – and some thoughts on its past fifty years | 31-35 | 1984 Oct |
| Mersinger, Jessie | Richard Deane on Teaching | 88-90 | 2019 Oct |
| Metzger, Assja | An Interview with Radek Baborák | 41-44 | 2001 May |
| Mickens, Stacie | Teaching Young Horn Students in a Temporary Setting | 69 | 2010 Feb |
| Miescke, Kevin | Mindfulness for Horn Players | 43-45 | 2019 Oct |
| Miles, Patrick | An American Hornist in London | 47-49 | 1998 Nov |
| Miles, Patrick | A Bibliography of Trios for Horn, Violin, and Piano (1945-1985) | 18-31 | 1994 Ann |
| Miles, Patrick | Technique Tips: Developing Better Sight-Reading Skills | 92 | 2008 May |
| Miller, Brett | Horn Tunes: 14 Studies on Works of Richard Strauss: I. from Don Juan | 98 | 2022 Oct |
| Miller, J.G. | An Interview with Colour Sergeant Nicholas Stones of the Band of the Coldstream Guards | 36-38 | 2017 May |
| Miller, J.G. | An Interview with Master Gunnery Sergeant Amy Horn | 34-35 | 2017 Feb |
| Miller, J.G. | A Successful Military Band Audition | 90-91 | 2016 Oct |
| Miller, Jessica | Music, Health, and Science: Being Disabled but Still Able | 66-67 | 2021 May |
| Mishori, Yaacov | Horn Playing in Israel | 40-44 | 1983 Apr |
| Mitchell, Donald | “Now sleeps the crimson petal”: Britten’s other Serenade | 9-14 | 1991 Apr |
| Modirzadeh, Hafez | Chromodal Exercises for the Cross-Cultural Improviser: 1. Time Cycle Concepts from Africa and Asia | 61-62 | 1996 Feb |
| Modirzadeh, Hafez | Chromodal Exercises for the Cross-Cultural Improviser: 2. Melodic Concepts | 59-62 | 1996 May |
| Modirzadeh, Hafez | Trans-Intervallic Exercise for the Post-Modern Improviser | 63-64 | 1994 Nov |
| Modirzadeh, Hafez | Trans-Intervallic Exercise for the Post-Modern Improviser: 2. Breaking the Cycle | 55-57 | 1995 Feb |
| Modirzadeh, Hafez | Trans-Intervallic Exercise for the Post-Modern Improviser: 3. Relationship to Tonality | 75-76 | 1995 May |
| Modirzadeh, Hafez | Trans-Intervallic Exercise for the Post-Modern Improviser: 4. Rhythmic Subdivision | 59-60 | 1995 Nov |
| Moege, Gary | An Interview with Bill Lane | 58-61 | 2016 Feb |
| Mollison, Gareth | Daniel Rauch Retires | 53-57 | 2014 Oct |
| Moncholi Cervero, Elias | The Concerto for Horn and Orchestra by Chiapparelli Rediscovered, in Spanish and English (translated by Keith Eitzen) | 56-65 | 2022 May |
| Montone, Jennifer | An Accidental Injury | 46-47 | 2005 Oct |
| Montone, Jennifer | Orchestral Notes: Bruckner Symphony No. 4 | 97-101 | 2010 Feb |
| Moore, Richard C. | Excerpt: The “Micaela” Aria from Carmen by Bizet | 37 | 1988 Oct |
| Moran, Peggy | Discover Learning: Using Questions to Find Answers | 47 | 2013 May |
| Moran, Peggy | The Kendall Betts Horn Camp: an Interview with Bernhard Scully | 52-54 | 2017 May |
| Morse, John | Getting Started in Private Teaching | 77-79 | 1999 Nov |
| Mosley, David L. | Brahms and Dort in den Weiden | 21-24 | 1992 Apr |
| Moulton, Kenneth E. | The Yogi Complete Breath | 35-38 | 1982 Apr |
| Mueller, Cynthia | Catalogue of Archive Tapes of the Workshops I-IV and VI | 10-31 | 1986 Jun |
| Munisamy, Nigel | Monceaux 2004 | 36-37 | 2005 Oct |
| Munnecom, Jack | Hermann Dutschke: The First Principal Horn Player of the Concertgebouw Orchestra | 58-59 | 2019 Feb |
| Murray, Thomas | The Four Mozart Horn Concertos | 18-20 | 1977 May |
| Mutter, Susan VanValzah | Images for Horn Playing Excellence – Ideas that Work | 71-73 | 2002 Oct |
| Myers, Philip F. | The Inherent Drive of Rhythm | 49-52 | 1985 Apr |
| Nadel, Stephen | Life in a Brass Quintet | 51-56 | 1998 May |
| Naigus, James | Creative Hornist: Creative Applications of Sight Reading | 40 | 2019 May |
| Naigus, James | Creative Hornist: Fostering Community in the Studio: Overcoming Isolation through Creativity | 58-60 | 2021 Feb |
| Naigus, James | Creative Hornist: A Practice in Lessons – a Lesson in Practicing | 64 | 2020 Feb |
| Naigus, James | Creative Hornist: You Have Such Audacity! | 40-41 | 2018 Oct |
| Naigus, James | Creative Hornist: Modal Transposition: Simple Tunes a la mode | 64-65 | 2021 Oct |
| Naigus, James | Creative Technique: Group Improvisation and Aural Skills | 68-69 | 2022 Oct |
| Naigus, James | Horn Tunes: Soar | 77 | 2021 Feb |
| Naigus, James | Technique Tips: Etudes à la Modes | 41-43 | 2017 Feb |
| Naigus, James | Technique Tips: Low and Slow – Exercises for Endurance | 54-55 | 2019 Oct |
| Naigus, James | Technique Tips: New Year’s Resolution: Time to Hit the Scales | 76-77 | 2018 May |
| Naigus, James & Drew Phillips | Technique Tips: Using Technology to Enhance Your Online Musical Portfolio. Part 1: Your Online Footprint and Facebook | 52-53 | 2019 Feb |
| Naigus, James | Technique Tips: Taste, Don’t Test | 62-63 | 2020 May |
| Naigus, James | Technique Tips: What the Horn Loves, by Carl Karoub | 70 | 2020 Oct |
| Naigus, James | Technique Tips: A “Lyrical” Approach to Musical Storytelling | 50-52 | 2022 Feb |
| Naigus, James & Drew Phillips | Technique Tips: Creating a Digital Recital: The Technical Side | 62-63 | 2021 May |
| Naigus, James | Creative Technique: Horn Games: Horn Olympics & Pedagogy Password | 53 | 2023 May |
| Navarro, Paul | My Time with Carl Geyer and His Horns | 76-78 | 2019 Oct |
| Nay, Brianna | An Interview with Michelle Stebleton | 62-65 | 2022 Oct |
| Nelsen, Jeff | Fearless Philosophies | 108 | 2007 Feb |
| Nebel, Daniel | The Horn Parts in Berlioz’s Symphonie fantastique | 54-56 | 2023 Feb |
| Nelsen, Jeff | Fearless Philosophies: “How Much do You Want It” | 83-84 | 2006 May |
| Nelsen, Jeff | Fearless Philosophies: “Make the Decision Easy for them!” | 92 | 2006 Oct |
| Nesmith, David | Ease Performance Anxiety Naturally | 79-80 | 2000 Nov |
| Nesmith, David | Nick Perrini’s 51 Years at Capital University | 47-50 | 2010 Oct |
| Nesmith, David | What Every Musician Needs to Know About the Body | 71-74 | 1999 Aug |
| Neuffer, Paul | Brian O’Connor: LA Studio Player | 73-77 | 2015 Feb |
| Neuffer, Paul | An Interview with Richard Perissi | 65-67 | 2008 Feb |
| Neuffer, Paul | A Tribute to James Decker | 65-68 | 2008 May |
| Neuffer, Paul | Vincent DeRosa Reminisces | 49-51 | 2011 Oct |
| Neuffer, Paul and Betty DeRosa | Vincent DeRosa: A Life in Music | 36-51 | 2020 Oct |
| Neunecker, Marie-Luise | Preventing Dystonia (Dystonieprävention) (English and German) | 58-60 | 2017 May |
| Nishiyama, S. | Tributes: Yasuyo Ito (1943-2006) | 44-47 | 2007 Feb |
| Nuzzo, Angelo et al | Vienna Calling | 66-69 | 2022 May |
| O’Hara, Keely A. | Barry Tuckwell: A Bibliography | 69-72 | 1997 May |
| Ognibene, Joseph | Hermann Baumann: The Master’s Voice | 97-100 | 2013 Oct |
| Ognibene, Joseph | The Horn in Iceland | 30-31 | 2008 May |
| Opitz, Gunther | Horn Activities in Leipzig | 89-91 | 1982 Apr |
| Orval, Francis | A Guide to Testing Horns | 37-38 | 1994 May |
| Orval, Francis | The Horn and Its Evolution Through the Ages; Le cor et son volution à travers les ages jusqu’ à nos jours (French) | 77-79 | 2005 May |
| Orval, Francis | Stopped Fingering Chart: “Take Two” | 20-21 | 1991 Oct |
| Orval, Francis | A Stopped Horn Fingering Chart | 25 | 1991 Apr |
| Osmum, Robert | Maintenance of Rotary Valves | 49 | 1986 Oct |
| Otsing, Kaido | Arvids Klishans | 61 | 1995 May |
| Owen, Christopher | Playing on a Long Journey: Biking Across North America with a Horn | 29-30 | 1999 Feb |
| Patterson, Robert | Performing the Horn Version of Crumb’s An Idyll for the Misbegotten | 62-64 | 2005 May |
| Paul, Erin and Rebecca Fathman | Our Year in Sarajevo | 63-66 | 2014 May |
| Paul, Ernst | Hunting Music in Austria; Oesterreichische Jagdmusik (German) | 23-39 | 1971 Nov |
| Paul, Ernst | Hunting Music in Austria [reprint] | 53-56 | 2000 Aug |
| Paul, Ernst | The Viennese Horn Style; Das Horn des Wiener Klangstils (German) | 29-36 | 1973 May |
| Paulnack, Karl | Why Music? | 84-85 | 2012 May |
| Paulus, Joshua | The Off-Stage Horn | 50-54 | 2009 Oct |
| Paxman, Bob et al | In Memoriam: Richard Merewether | 13-16 | 1986 Apr |
| Pease, Edward | Performing the Brahms Horn Trio | 44-51 | 1973 Aut |
| Pedersen, Thor Johan | International Music Seminar – Weimar | 37-38 | 1983 Apr |
| Pelletier, Andrew J. | Care of the Horn Section: Tips to a Trouble-Free Experience with Your Horns | 108 | 2012 Feb |
| Pelletier, Andrew J. | Embouchure Health and Maintenance | 65-66 | 1999 May |
| Pelletier, Andrew J. | Style Scales | 65 | 2012 May |
| Pelletier, Andrew J. | Thoughts on Recital Programming | 83-84 | 1999 Nov |
| Penny, Jonathan | The Brain of Britten: Notational Aspects of the Serenade | 69-74 | 2012 Oct |
| Perez Alonso, Ruben | Luis Morató y su a la trompa en España / Luis Morató and His Contribution to the Horn in Spain [Spanish & English] | 56-59 | 2018 May |
| Perlewitz, Friedel | Hermann Baumann Discography | 45-51 | 1998 Aug |
| Pervin, William J. | Stopping the High F Horn | 67 | 2011 Oct |
| Petit, Heather | The Concerto That Almost Wasn’t: Concerto by John Williams | 6 | 2004 Feb |
| Phelan, J. James | An American Horn Player in China | 56-57 | 2017 Feb |
| Pherigo, Johnny | Ádám Friedrich: A Profile | 47-48 | 1996 May |
| Pherigo, Johnny | Are You a Runner or a Jogger? | 17 | 1996 Nov |
| Pherigo, Johnny | Goal Time! | 19 | 1997 Nov |
| Pherigo, Johnny | Horn Study Materials: A Survey of New and Reissued Publications Available in the US with a 1965-1985 Copyright | 2-48 | 1990 Ann |
| Pherigo, Johnny | How Do You Spell Class? | 21 | 1997 May |
| Pherigo, Johnny | Log It! | 21 | 1998 Feb |
| Pherigo, Johnny | Method for Cor Alto and Cor Basse by Louis-François Dauprat | 75-76 | 1994 Nov |
| Pherigo, Johnny | Nerves of Steel – or Overcooked Linguine? | 21 | 1998 Feb |
| Pherigo, Johnny | Report on the IHS Horn/Band Transcription Project | 54-59 | 1987 Apr |
| Pherigo, Johnny | Medicine and Science: Body Mapping III: Mastering the Exhale | 52-55 | 2016 Feb |
| Pherigo, Johnny | Science and Medicine: What Every Musician Needs to Know about the Body – An Introduction to Body Mapping | 90-93 | 2014 Oct |
| Pherigo, Johnny | Science and Medicine: What Every Musician Needs to Know about the Body II: Achieving Whole-Body Balance | 97-101 | 2015 Feb |
| Pherigo, Johnny | Solos for the Young Hornist | 60-63 | 1986 Oct |
| Phillips, Drew | Arranging Options – What Can I Do? | 59-60 | 2023 Feb |
| Phillips, Drew | Creative Hornist: Combining to Create: Starting a new piece from stuff you already know! | 40-42 | 2019 Oct |
| Phillips, Drew | Creative Hornist: Recreating the “A-ha” through Creative Practice | 40-41 | 2018 May |
| Phillips, Drew & James Naigus | Creative Hornist: Creating a Digital Recital: The Creative Side | 64-65 | 2021 May |
| Phillips, Drew | Creative Practicing: Do you even need to unpack to improve? | 60-61 | 2020 May |
| Phillips, Drew | Horn Tunes: Groove | 84-85 | 2021 May |
| Phillips, Drew | Interrogative Arranging Activity: A Cookie-Cutter Guide | 71-72 | 2020 Oct |
| Phillips, Drew | Technique Tips: The Pink Sticky Note Technique: An Easy Fix for Consistency, Direction, and Connection | 50-51 | 2018 Oct |
| Phillips, Drew | Technique Tips: Playing Along with Recordings – Performance Prep in Context! | 52-53 | 2019 May |
| Phillips, Drew | Technique Tips: Raise Your Voice: Why Aren’t You Singing More in Your Practice? | 62-63 | 2020 Feb |
| Phillips, Drew | Technique Tips: Steal Each Other’s Music! | 56-57 | 2021 Feb |
| Phillips, Drew | Technique Tips: Upper Register Training for Young Horn Players | 48-51 | 2017 May |
| Phillips, Drew | Technique Tips: What’s Your workout Split? Organizing Your Practice Planning | 61-63 | 2021 Oct |
| Phillips, Drew | Technique Tips: Transposition | 72-73 | 2022 May |
| Phillips, Drew & James Naigus | Technique Tips: Using Technology to Enhance Your Online Musical Portfolio. Part 1: Your Online Footprint and Facebook | 52-53 | 2019 Feb |
| Phillips, Drew & James Naigus | Technique Tips: Creating a Digital Recital: The Technical Side | 62-63 | 2021 May |
| Phillips, Drew & James Naigus | “We’re Just Warming Up” | 74-76 | 2018 Feb |
| Pierce, Robert O. | In Memoriam: Willem Adriaan Valkenier (1887-1986) | 29-33 | 1986 Oct |
| Pigott, Jasmine | The Chromatic Brass Collective | 56-58 | 2021 Oct |
| Pihlaja, Pasi | A Device for Holding the Horn | 85-87 | 2008 May |
| Pirtle, Kathryne et al | Chronic Embouchure Weakness – Another Approach to Examine | 83-86 | 2009 Feb |
| Pizka, Hans | Auditions – or Maximum Stress? | 37-38 | 2000 May |
| Pizka, Hans | Bruno Jaenicke (1887-1946) | 47 | 1994 Nov |
| Pizka, Hans | A Curious Gem From My Archive | 94-96 | 1984 Apr |
| Pizka, Han | Hand Stopping | 13-15 | 1994 Feb |
| Pizka, Hans | Jubilee with the Siegfried Call | 79-80 | 1985 Apr |
| Pizka, Hans | Karl Stiegler (1876-1932); also in German | 24-30 | 1979 Oct |
| Pizka, Hans | Questions and Observations | 47-48 | 1996 Feb |
| Pizka, Hans | The Second Chinese Horn Competition | 63-66 | 1991 Oct |
| Polekh, Ludmilla | On the Problem of Improvisation Technique in Modern Performance Practice (a study of Mozart’s concertos for the horn) | 41-46 | 1989 Oct |
| Polekh, Valeriy | The Birth of the Gliere Concerto | 39-40 | 1999 May |
| Pope, Kenneth | How to Try Out Horns | 49-50 | 2023 May |
| Porras, Juan Carlos | Latin America Regional Report: Costa Rica | 31 | 2018 Oct |
| Poschi, Josef | Modern Currents in Hunting Horn Music in the German-speaking Regions; Moderne Strömungen in der Jagdhornmusik im deutschprachigen Raum (German) | 65-73 | 2007 Feb |
| Powers, Jeffrey S. | Direct or Reflected? That is the Question! | 59-60 | 2004 May |
| Prado, Victor | The “Un-symphonized” Horn in Popular Music | 40-42 | 2023 May |
| Presar, Jennifer | Neoteric’s Creation of New Repertoire | 95 | 2013 Oct |
| Price, Jim | Obituaries: James R. (Bobby) Collins | 27 | 2007 Oct |
| Pritchett, Kate | 45th International Horn Symposium Report: University of Memphis | 30-31 | 2013 Oct |
| Pritchett, Kate | Joseph Eger – The First American Horn Soloist | 69-74 | 2009 Oct |
| Purton, Michael | Punto Award Winners, 1992 | 98 | 1992 Oct |
| Putnam, John | Why Practice? | 67 | 2013 Feb |
| Pyle, Robert W., Jr. | Acoustical Reverberations | 42-45 | 1987 Oct |
| Pyle, Robert W., Jr. | Acoustical Reverberations | 80-86 | 1988 Apr |
| Pyle, Robert W., Jr. | Effect of Lacquer and Silver Plating on Horn Tone | 26-29 | 1981 Apr |
| Pyle, Robert W., Jr. | Factitious Tones and Hand-Stopping | 36-43 | 1990 Oct |
| Pyle, Robert W., Jr. | Terminology and History of Architectural Acoustics | 38-41 | 1988 Oct |
| Pyle, Robert W., Jr. | A Theory of Hand-Stopping | 53 | 1971 May |
| Pyle, Robert W., Jr. | Why Does My Horn Feel That Way? | 103-107 | 1989 Apr |
| Pyle, Robert W., Jr. | Why Does My Horn Feel That Way? 2. Taper and Tuning | 61-65 | 1989 Oct |
| Pyle, Robert W., Jr. | Why Does My Horn Feel That Way? 3. Acoustic Impedance and the Indispensable Mouthpiece | 49-54 | 1990 Apr |
| Ragge, Melanie | Nielsen’s Wind Quintet – A New Perspective | 88-90 | 2010 Feb |
| Ralske, Erik | Symphony versus Opera | 102-103 | 2017 May |
| Raviotta, Benjamin & Sara | ADHD and Dyslexia: Learning Differences in the Private Studio, Part 1 | 47-49 | 2018 Feb |
| Raviotta, Benjamin & Sara | ADHD and Dyslexia: Learning Differences in the Private Studio, Part 2 | 42-47 | 2018 May |
| Reeves, Gary L. | A Tour of the Holton Horn Manufacturing Facility (…or, A Star Is Born) | 14-17 | 1991 Apr |
| Reicher, Tom | From Melanoma to Melody | 72-74 | 2020 Feb |
| Reicher, Tom | Louis Savart, the Singing Horn Player, Part 1 | 49-52 | 2021 May |
| Reicher, Tom | Louis Savart, the Singing Horn Player, Part 2 | 30-33 | 2021 Oct |
| Reicher, Tom | Louis Savart, the Singing Horn Player, Part 3 | 24-27 | 2022 Feb |
| Reit, Alyssa | The Joy of Arranging: I. Introduction | 95-98 | 2017 Oct |
| Reit, Alyssa | The Joy of Arranging: II. Process | 60-62 | 2018 Feb |
| Reit, Alyssa | The Joy of Arranging: III. Arc and Form | 60-64 | 2018 May |
| Rexroat, Carrie | A’tudes & Brews: An Interview with Brett Hodge | 58-60 | 2016 Oct |
| Rexroat, Carrie | A’tudes & Brews: An Interview with Emily Browne | 48-50 | 2016 May |
| Rexroat, Carrie | A’tudes & Brews: An Interview with John Gough | 52-54 | 2017 Feb |
| Reynolds, Daniel | Beyond Weber: Horn Chords for This Century [multiphonics] | 90-92 | 2005 Oct |
| Reynolds, Richard | Performance Anxiety | 21-23 | 1992 Oct |
| Reynolds, Verne | The Horn Handbook: Kopprasch Etudes | 59-66 | 1996 Nov |
| Rhydard, Maurice L. | Muscle Interdependency and the Horn Player | 86-88 | 1993 Apr |
| Rice, Suzanne | An Interview with Willem A. Valkenier | 27-34 | 1994 Feb |
| Rice, Suzanne | Obituaries: Fred Ehnes (1943-2009) | 27-28 | 2009 Oct |
| Richards, Bruce | Francis Orval: Music as Art | 55-56 | 2008 Feb |
| Rider, Wendell | Technique tips: Creative Musical Phrasing | 57-59 | 2008 Feb |
| Rieband, Irena Marie | A Journey | 58-63 | 2010 May |
| Rife, Jean | Natural Horn: A Self-Guided Study for Beginners | 53-56 | 1994 Nov |
| Riggio, Suzanne | Notes From a Solo Hose | 89-91 | 1981 Apr |
| Riggio, Suzanne | You Say You Married a Horn Player | 36-38 | 1975 Spr |
| Ritch, Mary | Jerry Folsom Remembers | 84-95 | 2020 May |
| Ritch, Mary | Robert Watt Remembers, Part 1 | 31-39 | 2021 Feb |
| Ritch, Mary | Robert Watt Remembers, Part 2 | 28-35 | 2021 May |
| Ritch, Mary | Robert Watt Remembers, Part 3 | 34-42 | 2021 Oct |
| Rizner, Fred | Ein Heldenleben: The Horn as Protagonist | 43-45 | 1998 Feb |
| Robbins, Allison | An Interview with Bill Lane | 58-61 | 2016 Feb |
| Roberts, B. Lee | Some Comments on the Physics of the Horn and Right-Hand Technique | 41-45 | 1976 May |
| Robertson, Karen | Comparing Experiences: US-Trained Horn Players in Germany, Part I | 92-96 | 2011 Feb |
| Robertson, Karen | Comparing Experiences: US-Trained Horn Players in Germany, Part II | 86-91 | 2011 May |
| Robertson, Karen | Comparing Experiences: US-Trained Horn Players in Germany, Part III | 84-86 | 2011 Oct |
| Robinson, William C. | Formation of the IHS | 40 | 1971 May |
| Robinson, William C. and Joseph A. White | Formation of the IHS [reprint] | 31 | 2018 May |
| Rochberg, George | Commencement Address at the Curtis Institute of Music | 27-28 | 1991 Apr |
| Roche-Wallace, Catherine | Managing the Extreme Range of the Horn | 60-61 | 2021 May |
| Roche-Wallace, Catherine | Six Solo concerti from the Blütezeit of the Oettingen-Wallerstein Hofkapelle | 51-56 | 2001 Nov |
| Rolf, Marie | A New Manuscript Source for Mozart’s Rondo in E-flat for Horn K. 371 | 23-27 | 1995 May |
| Rooney, Kim | Recognizing Creative Hornists Among Us | 69-70 | 2008 Feb |
| Root, Rebecca | The Psychology of Brass Playing | 11-14 | 1976 Nov |
| Root, Rebecca | So You Want to be a Pro? | 89-92 | 1979 Apr |
| Rose, Stewart | Excerpt: Micaela’s Aria in Bizet’s Carmen | 71-72 | 2001 Nov |
| Rosenthal, Irving | Music in “Down Under” Land | 19-21 | 1974 Spr |
| Rosenthal, Irving | New Zealand, Music, and the Horn | 17-19 | 1974 Spr |
| Rosenthal, Philip | Back Pain Facts and Fallacies | 81-82 | 1999 Nov |
| Rosenthal, Philip | Inderal for Performance Anxiety | 67-73 | 2000 May |
| Rostrup, Frederik | Recording the Horn | 52-53 | 2022 May |
| Routch, Bobby | Definitely a Copp-Out | 41 | 1992 Oct |
| Ruff, Willie | Paul Hindemith and the Sound of the Horn | 52-54 | 1986 Oct |
| Ruske, Eric | Tributes: Xiao-Ming Xie (1959-2006) | 40 | 2007 Feb |
| Russell, Eileen Meyer | For the Record: A Practical Guide to Using Digital Audio Recording Equipment in the Private Studio | 33-35 | 2008 Feb |
| Sacchi, Leo | In Memoriam: John B. Dolan (1906-2000) | 21-22 | 2001 May |
| Saddington, Lesley | The Horn That Saved My Life | 68 | 2013 May |
| Saint-Amour, John | On Playing the Geezer Horn | 67-68 | 2013 May |
| Salemson, Steve | Adieu Lucien Thévet: A Friend Remembered | 44-46 | 2007 Oct |
| Sanchez, Amy | Horns for Rhinos | 42-44 | 2019 May |
| Sanders, Jocelyn | A Survey of Selected Bibliographical Sources for the Horn | 80-81 | 1991 Apr |
| Sandoval, Virginia | A Report from Colombia | 41 | 1991 Oct |
| Sanner, Howard | Mission Nearly Impossible: The Adventure of the Brahms Trio: Philip Farkas as Protagonist in a Discographic Mystery | 93-96 | 2019 Oct |
| Saxton, S. Earl | Can Your Smile be a Clue to a Good Embouchure? | 61-65 | 1994 Feb |
| Saxton, S. Earl | Do You Blow or Do You Sing on Your Horn | 37-44 | 1973 May |
| Saxton, S. Earl | In Memoriam: Malcolm Colby Henderson (1904-1975) | 19-20 | 1975 Nov |
| Saxton, S. Earl | The Infinite Power of Self-Determination | 38-41 | 1978 May |
| Saxton, S. Earl | The Rap Session on Disabled/Handicapped Hornists and How They Cope | 31-38 | 1987 Oct |
| Saxton, S. Earl | Singing on the Horn | 22-35 | 1971 May |
| Saxton, S. Earl | Singing on the Horn [reprint] | 59-63 | 2000 Aug |
| Saxton, S. Earl | Singing on the Horn [reprint] | 79-82 | 2019 May |
| Scharnberg, William | 1998 Honorary Members | 31 | 1998 Nov |
| Scharnberg, William | The 49th International Horn Symposium – A Report | 50-52 | 2017 Oct |
| Scharnberg, William | Clyde Miller (1917-2012) | 63-64 | 2012 May |
| Scharnberg, William | A Colonial Slave Horn Player | 62-63 | 1982 Oct |
| Scharnberg, William | Horn Playing Tips | 65-67 | 2020 Oct |
| Scharnberg, William | IHS Commissions a Major Work: Beyond Autumn by Joseph Schwantner | 25-29 | 1999 Nov |
| Scharnberg, William | The Importance of Failure in Artistic Development | 59-61 | 1995 Feb |
| Scharnberg, William | Lookin’ Good but Feelin’ Bad | 45-46 | 1996 Feb |
| Scharnberg, William | The Manuscript Katalog Wenster Litterature I/1-17b | 79-83 | 1978 May |
| Scharnberg, William | More on Strength and Endurance | 34-35 | 2007 Feb |
| Scharnberg, William | Morris Secon: From the Heart | 77-79 | 2007 Oct |
| Scharnberg, William | Music Reviews [publishers for horn] | 80-84 | 1974 Apr |
| Scharnberg, William | Ravel’s Pavane pour une infant défunte | 41-42 | 2011 Feb |
| Scharnberg, William | Relieving Back Pain | 57-58 | 1999 May |
| Scharnberg, William | Out the Bell: Chamber Music Awareness 101: Our “Defaults” and “Where’s the Beat?” | 108 | 2011 May |
| Scharnberg, William | The Sonata for Horn and Piano by David Maslanka | 49-51 | 2019 May |
| Scharnberg, William | A Tribute to Charles Kavalovski | 35-39 | 1997 Nov |
| Scharnberg, William | A Tribute to David Battey | 23 | 1999 Aug |
| Scharnberg, William | A Tribute to James London | 43-44 | 1998 Nov |
| Scharnberg, William | A Tribute to Kyle Mills (1976-2007) | 36 | 2007 Oct |
| Scharnberg, William | A Tribute to Louis Stout (1924-2005) | 94-101 | 1989 Oct |
| Scharnberg, William | A Tribute to Paul Anderson | 90-93 | 1989 Oct |
| Scharnberg, William | A Tribute to Wayne Barrington | 33-35 | 2001 Aug |
| Scharnberg, William | TrumCor Mutes | 82-83 | 1995 May |
| Scharnberg, William | Upon the Retirement of Clyde Miller | 98-100 | 1984 Apr |
| Scharnberg, William | Upon the Retirement of James Winter | 21-24 | 1987 Oct |
| Scharnberg, William | A Wagner Tuba Primer | 38-40 | 1992 Oct |
| Scharnberg, William | What Type of Horn Should I Buy? | 39-40 | 1987 Oct |
| Scharnberg, William | William C. Robinson, Founder of the IHS, Retires | 13-15 | 1986 Oct |
| Scharnberg, William | A Young Hornist’s Primer: Rhythm | 18-19 | 1992 Oct |
| Schaughency, Steve | Learning Jazz Styles through the Recordings of Julius Watkins: 1. The Horn in Jazz | 69-72 | 1996 Nov |
| Schaughency, Steve | Learning Jazz Styles through the Recordings of Julius Watkins: 2. A Complete Annotated discography of Julius Watkins on CD (A-J) | 73-79 | 1997 Feb |
| Schaughency, Steve | Learning Jazz Styles through the Recordings of Julius Watkins: 3. A Complete Annotated discography of Julius Watkins on CD (J-Z) | 69-77 | 1997 Nov |
| Schaughency, Steve | Learning Jazz Styles through the Recordings of Julius Watkins: 4. | 63-65 | 1998 Feb |
| Schepel, Louise | Dutch Horn Society, 1982-1992 | 76 | 1992 Apr |
| Schlabach, John | On Connecting the Ear and Brass Performance | 98-99 | 2005 May |
| Schlesinger, Kathleen | “Horn”: Encyclopædia Britannica, 11th Edition (1910-11) | 7-21 | 1997 Ann |
| Schmann, Phillip Michael | Horn Call Index, 1971-1995 | 16-132 | 1995 Ann |
| Schmid, Engelbert | Valve Maintenance | 30-31 | 2013 Feb |
| Schmlalenberger, Sarah | A Horn Player’s Battle with Cancer | 48-51 | 2012 May |
| Schnauber, Tom | Beethoven’s Sonata: A work Based on the Characteristics of the Natural Horn | 51-56 | 2005 Oct |
| Schneider, Bruno | Obituaries: Michael Höltzel (1936-2017) | 27-28 | 2018 Feb |
| Schons, Anthony | Approaches to the Horn Embouchure: Historical and Modern | 58-60 | 2015 Feb |
| Schreckengost, John | Important Orchestral Excerpts for Horn in Keys Other Than F | 58 | 2005 May |
| Schuller, Gunther | Brahms Horn Trio | 74-76 | 2015 Oct |
| Schwartz, Arthur | The Horn Hanger | 47 | 2014 May |
| Schwartz, Bernice | In Memoriam: Herbert Spencer (1942-2000) | 26-28 | 2001 Feb |
| Schwarzl, Siegfried | Wiener Waldhornverein at the International Symposium for Brass Instrument Player’s Chamber Music in Hungary (BARCS – Brass) | 79-84 | 1985 Oct |
| Schweikert, Norman | Frank Brouk Retires from the Chicago Symphony | 75-78 | 1979 Apr |
| Schweikert, Norman | Gumpert, not Gumbert! | 45-46 | 1971 May |
| Schweikert, Norman | A History of the Organized Horn Ensemble in the US | 20-32 | 1985 Oct |
| Schweikert, Norman | Horns Across the Sea | 54-59 | 1972 May |
| Schweikert, Norman | In Memoriam: Henry Sigismonti Remembered (1934-1989) | 83-86 | 1990 Oct |
| Schweikert, Norman | In Memoriam: Pellegrino Lecce (1896-1989) | 82-85 | 1990 Apr |
| Schweikert, Norman | Jonathan Boen Premieres Jan Bach’s Horn Concerto | 64-69 | 1983 Oct |
| Schweikert, Norman | Playing Assistant First Horn | 43-50 | 1974 Aut |
| Schweikert, Norman | Richard Oldberg, Retired CSO Hornist | 63-64 | 1995 May |
| Schweikert, Norman | Veteran Hornist Joseph Mourek Retires | 21 | 1975 Nov |
| Schweikert, Norman | Victor Pelissier: America’s First Important Professional Hornist | 15-18 | 1971 Feb |
| Schweikert, Norman | Wendell Hoss | 36-51 | 1980 Oct |
| Secon, Morris | Dorothy L. Frizelle | 124 | 1989 Apr |
| Secon, Morris | Excerpt: Beethoven’s 6th Symphony | 34-35 | 1987 Apr |
| Secon, Morris | A Response to David Irving on the Use of “DAON” as First Suggested by Punto | 21-24 | 1981 Apr |
| Seenan, Hugh et al | Barry Tuckwell: The Early Years in Australia and London | 27-29 | 1997 May |
| Sehmann, Andrew | Using Arrangements to Increase Musical and Technical Ability | 76-78 | 2022 May |
| Seifert, Gerd | The Siegfried Long Call; Der Siegfriedruf (German) | 43-46 | 1985 Apr |
| Seiffert, Stephen L. | The Technique of Hand Stopping | 47-51 | 1971 May |
| Seiffert, Stephen L. | Tuning the Double Horn: A Practical Approach | 35-39 | 1974 Spr |
| Seiffert, Stephen L. | Tuning the Double Horn: A Practical Approach [reprint] | 101-102 | 2004 Feb |
| Selim, Amr | A Libyan in Egypt | 47-48 | 2019 Feb |
| Sellers, Jacquelyn M. | Summit Brass: International Brass Ensemble Competition | 50-51 | 1989 Apr |
| Seraphinoff, Richard | Horn Player Injuries or Making Lemonade | 37-38 | 2019 Oct |
| Seraphinoff, Richard | Nodal Venting on the Baroque horn: A Study in Non-Historical Performance Practice | 21-24 | 1996 Nov |
| Seyfried, Erhard | Concerning the Article by Richard Merewether: The Vienna-Horn | 34-35 | 1985 Oct |
| Seyfried, Erhard | Meet the Wiener Waldhornverein! Der Wiener Waldhornverein Stellt Sich Vor (German) | 29-32 | 1974 Spr |
| Seyfried, Erhard | The Premiére of W. Pelinka’s Le Beatitudini | 97 | 1992 Apr |
| Shapiro, Harry | In Memoriam: James Stagliano (1912-1987) | 57 | 1987 Oct |
| Shaw, Lowell | Somebody’s Gotta Furnish the Spark! | 46 | 2017 Oct |
| Sheldrick, Todd | Finding Your Voice | 69 | 2008 May |
| Sherman, Fran | A New and Different Perspective | 45-47 | 1990 Apr |
| Shieh, Isaac | Finding My Voice | 39-41 | 2023 Feb |
| Silberman, Peter | Brahms’s Use of the Hand Horn in the Trio, Op. 40 | 49-53 | 2008 Feb |
| Simnacher, Joe | Tributes: David Battey (1936-2006): “DSO French horn player known for wit” | 41-42 | 2007 Feb |
| Small, Megan | What Can Horn Players Learn from Dance? | 92-93 | 2017 Oct |
| Smith, Calvin | Life as a Free-Lance Studio Hornist in Los Angeles | 45-48 | 1995 May |
| Smith, Christopher M. | You’re Going To do What To My Horn? | 41 | 1999 Feb |
| Smith, Justin | The New York Philharmonic’s Two New Hornists | 53-55 | 2016 May |
| Smith, Marie | Natural Horn Technique Guiding Modern Orchestral Performance | 34-35 | 2016 Oct |
| Smith, Mark | Not Important Stuff: Britten’s Serenade | 49-53 | 2023 Feb |
| Smith, Martin | St. Paul Chamber Orchestra | 34-35 | 1973 Aut |
| Smith, Nicholas E. | History of the Horn Mute | 77-90 | 1990 Ann |
| Smith, Nicholas E. | Max Hess, America’s first Mr. Accuracy | 43-48 | 2023 May |
| Snedeker, Gretchen | The Benefits of Vocal Training for Horn Players | 97 | 2009 Feb |
| Snedeker, Jeffrey | The Color of Brass: An Interview with Eric Ewazen | 33-34 | 2001 Nov |
| Snedeker, Jeffrey | The Early Valved Horn and Its Proponents in Paris, 1826-1840 | 6-17 | 1994 Ann |
| Snedeker, Jeffrey et al | Fearless Canadian: An Interview with Jeff Nelsen | 45-51 | 2003 Feb |
| Snedeker, Jeffrey | IHS Honorary Membership Award: Gunther Schuller | 29 | 2000 Nov |
| Snedeker, Jeffrey | John Jacob Graas, Jr.: Jazz Horn Pioneer | 56-61 | 2019 Oct |
| Snedeker, Jeffrey | Music from the Heart: An Interview with Arkady Shilkloper | 39-43 | 1999 Aug |
| Snedeker, Jeffrey | New Dragons in the Sky | 47-51 | 1999 May |
| Snedeker, Jeffrey | A “New” Piece for Natural Horn: Variations pour le Cor, by Charles Zeuner (ca. 1830) | 41-44 | 1997 Nov |
| Snedeker, Jeffrey | New Wine for Old Bottles: Contemporary Music for the Natural Horn | 61-66 | 2007 Oct |
| Snedeker, Jeffrey | No Heros Needed: Advice from a Grunt in the Trenches | 79 | 1999 Feb |
| Snedeker, Jeffrey | Overtone74: An Interview with Todd Sheldrick | 41-43 | 2006 Feb |
| Snedeker, Jeffrey | Panel Sessions at the IHS 50 Horn Symposium | 64 | 2018 Oct |
| Snedeker, Jeffrey | Past/Presents: Two French Fries: Watkins and Amram | 61-64 | 2002 Oct |
| Snedeker, Jeffrey | Resources for Natural Horn | 27-28 | 1993 Nov |
| Snedeker, Jeffrey | A Review of Elliott Carter’s Horn Concerto | 87 | 2008 Feb |
| Snedeker, Jeffrey | Updates to Resources for Natural Horn | 12-13 | 1994 Feb |
| Sohn, Richard | If They Could Have, They Would Have | 43 | 2014 May |
| Spearman, Andrew | In Memoriam: Herbert E. Holtz | 37 | 1981 Apr |
| Spencer, Dan | Creative Horn Lessons | 55 | 2011 May |
| Spidell, Rachel | Play It Forward! | 36 | 2019 Feb |
| Sprung, David | Hand Stopping | 15-16 | 1994 Feb |
| Sprung, David | “Hidden” Stopped Notes in 19th-Century French Opera | 17-25 | 1996 May |
| Sprung, David | More on Lorenzo Sansone: A Personal Reminiscence | 101-103 | 2005 May |
| Songer, Lewis | Contest Winners: One Viewpoint [compositions] | 40-41 | 1985 Oct |
| Spanjer, Allen | Mahler’s Use of the Second Horn in the Ninth Symphony | 73-76 | 2000 Feb |
| Spence, Marcia | Nielsen’s Wind Quintet – A Critical Performance Edition | 91-95 | 2010 Feb |
| Stebleton, Michelle | Getting a Grip on Schmidt-Wrap Horns | 69-71 | 1997 Feb |
| Stebleton, Michelle | An Interview with Denise Tryon | 61-63 | 2018 Oct |
| Stebleton, Michelle | Louis J. Stout Remembered | 33-34 | 2006 Feb |
| Sternbach, David | In Memoriam: Ingbert Michelsen (1917-1991) | 100-101 | 1992 Apr |
| Stephen, J. Drew | Expressive Stopped Notes and the True Characteristic Range of the Natural Horn | 29-33 | 2023 May |
| Stephen, J. Drew | A Profile of Peter Damm | 29-35 | 1994 Nov |
| Stephen, J. Drew | To Stop or Not to Stop: Nodal Venting and Hand-Stopping on the Baroque Horn | 59-65 | 2007 May |
| Stern, Joan E. | The Last Horn Call (poem) | 32 | 2009 May |
| Stevens, Paul | Building Your Toolbox: How the Master Helped Build My Toolbox | 91-92 | 2019 Oct |
| Stevens, Paul | Playing! With Ease | 94-95 | 2004 Feb |
| Stevens, Paul | Why We Play the Horn | 66-67 | 2011 Oct |
| Stewart, Brandon | Horn Concerto in E-flat Major (C41) by Antonio Rosetti | 45-47 | 2020 May |
| Stewart, Milton L. | Chamber Music for Voices with French Horn: Performance Problems for French Horn | 63-71 | 1988 Apr |
| Stewart, Milton L. | Chamber Music for Voices with French Horn: Performance Problems for French Horn: Part 2 | 70-85 | 1988 Oct |
| Stewart, Milton L. | Chamber Music for Voices with French Horn: Performance Problems for French Horn: Part 3 | 65-83 | 1989 Apr |
| Stewart, Milton L. | Review of Jazz French Horn | 47-53 | 1987 Oct |
| Still, Bruce | First Horn Workshop (1969) | 31-34 | 2018 May |
| Stinchi, Christine | The Hunting Horn Topic as a Bridge between Two Horn Sonatas | 33-38 | 2023 Feb |
| Stirling, Stephen | Mining the Archives: Dennis Brain’s Music Library | 37-39 | 2022 Oct |
| Stockham, Jeffrey | “It’s All Part of a Career”: Forty Years as a Non-traditional Hornist | 70-73 | 2016 May |
| Stokes, Amy Ryan | The (Politically) Correct Way to Perform | 108 | 2009 Oct |
| Stokes, Amy Ryan | The (Politically) Correct Way to Rehearse | 108 | 2008 Feb |
| Stoneman, Jonathan | How Hugh Seenan (and a Few friends) Managed to “Give It One” | 47-48 | 2009 May |
| Stoneman, Jonathan | Jazz Hornist Morris Kliphuis | 62 | 2010 Feb |
| Stoneman, Jonathan | Non-Horn Book Reviews | 42-43 | 2008 Oct |
| Stoneman, Jonathan | Out the Bell: Concert Etiquette | 108 | 2015 Feb |
| Stoneman, Jonathan | Stagecraft | 108 | 2007 Oct |
| Stoneman, Jonathan | A Very British Partnership – Dennis Brain and the BBC | 49-53 | 2007 May |
| Stonestreet, Robert | Pedagogical Works for Low Horn | 53-57 | 2015 Feb |
| Stonestreet, Robert | Twentieth-Century Solos for Low Horn | 52-56 | 2016 Oct |
| Strain, Chuck | Safely Playing Together Amid COVID-19? | 61-64 | 2021 Feb |
| Strevens, Patrick | A Firm Foundation | 8-12 | 1971 Feb |
| Strobel, John D. | In Memory of Harry Berv (1917-2005) | 37-38 | 2006 Feb |
| Strucel, George | Maintenance of the Horn | 49-53 | 1971 Nov |
| Summers, Anna and Larry Williams | The 21st Century Musician and the Art of Collaboration | 28-32 | 2022 May |
| Swanson, Jane | Reports from 2011 Symposium: View from a Teacher | 56 | 2011 Oct |
| Swartman, Thomas | Horn Transposition in the Works of Mozart: High or Low? | 17-20 | 1993 Nov |
| Swenson, Edward E. | The History of Musical Pitch in Tuning the Pianoforte | 43-47 | 2006 May |
| Swindells, Susan | Transmissible Diseases and the Horn | 71-72 | 2008 May |
| Sykes, Mark D. | Improved Design of the Leadpipe on Horns | 57 | 2002 Oct |
| Tapani, Esa | 2002 IHS Punto Award: Olavi Wikman | 31 | 2003 Feb |
| Tarantelli, Maddy | A Conversation with Metropolitan Opera Hornists Anne Scharer and Brad Gemeinhardt | 28-30 | 2017 Feb |
| Tarantelli, Maddy | Integrating Theory into Fundamentals of Horn Playing | 22-25 | 2023 May |
| Tarantelli, Maddy & Katie Johnson-Webb | Song, Sound, and Study with Frøydis Ree Wekre – Advocating Study Outside Your Musical Tradition | 56-57 | 2019 Feb |
| Tatum, Bradley | Incorporating Classical Hand Horn Aesthetics into Modern Horn Playing | 62-64 | 2011 May |
| Tavares, Radegundis | The Brazilian Horn Association and the 49th International Horn Symposium | 27 | 2017 Feb |
| Tavares, Radegundis | Horn Tunes: Caprice IX by Niccolo Paganini | 100-101 | 2022 May |
| Tavares, Radegundis | Latin America Regional Report: Brazil | 32 | 2018 Oct |
| Thakurdas, Amy | Hearing Conservation and Noise-Induced Hearing Loss | 33-35 | 2019 Feb |
| Thakurdas, Amy | IHS52 – The Healthy Hornist | 39 | 2019 Oct |
| Thakurdas, Amy | Musician’s Focal Dystonia: a Journey into the Unknown | 35-36 | 2018 Feb |
| Thakurdas, Amy | Musicians’ Health and Focal Dystonia | 72-74 | 2018 May |
| Taylor, Paul Wegman | The Legacy Files: Ross Whiteside Taylor (1925-1964) | 95-99 | 2004 May |
| Thayer, Edwin | Concerto for Three Brass | 109 | 1993 Apr |
| Thayer, Heather | Helen Kotas (1916-2000): A Pioneer | 30-37 | 2011 May |
| Thelander, Kristin P. | Barry Tuckwell’s Elegant Finale | 79-82 | 1997 May |
| Thelander, Kristin P. | Carl Oestreich: A Study of His Life, Historical Position and Solo Horn Music | 49-76 | 1990 Ann |
| Thelander, Kristin P. | The Gugel Family of Hornists | 29-37 | 1995 May |
| Thelander, Kristin P. | György Ligeti’s Trio | 43-46 | 1999 Nov |
| Thelander, Kristin P. | A Musical Tour of the People’s Republic of China | 14-15 | 1980 Oct |
| Thelander, Kristin P. | Selected Etudes and Exercises for Specialized Practice | 53-59 | 1994 May |
| Thevet, Lucien | Evolution of the Horn and Its Future Perspective | 41-44 | 1995 Nov |
| Thevet, Lucien | The F-B-flat Horn with Ascending Third Valve; Le Cor Fa-I-flat avec Troisième Piston Ascendant (French) | 36-41 | 1973 Aut |
| Thistle, Robert | Studying Maxime-Alphonse: 200 Etudes in Six Volumes for Horn | 54-59 | 2013 Oct |
| Thomas, Brian et al | Auditioning for a Horn Position in the US | 56-60 | 1983 Apr |
| Thomas, Candace | Improvisational Approach to Classical Music | 27-29 | 2015 May |
| Thompson, Brian Ernest | A History of the Early Sources of Mozart Horn Concertos | 2-19 | 1989 Annl |
| Thompson, Kerry | A Peripatetic Musical Life | 57-59 | 2020 Feb |
| Thompson, Mark | Brahms and the Light; Das Naturhorn bei Brahms (German); Brahms et la Lumiere (French) | 71-76 | 1978 Nov |
| Thompson, Timothy | No Weak Links | 51-52 | 2001 Feb |
| Thompson, Timothy | A Residency in Bangkok | 65-67 | 2009 Feb |
| Thompson, Timothy | Report to the IHS From the IHS Latin America Development Project | 111-112 | 1988 Oct |
| Thompson, Virginia | The 26th International Horn Symposium | 89-91 | 1994 Nov |
| Thompson, Virginia | A Comprehensive Chart of Fingerings for the F-B-flat Double Horn | 38-39 | 1991 Apr |
| Thompson, Virginia | Lieksan Vaskiviikko! (Lieksa Brass Week!) | 41-46 | 2000 Nov |
| Thompson, Virginia | A Long-Awated Horn Concerto from György Ligeti | 32-34 | 2001 May |
| Thompson, Virginia | On Compositions by Daniel Pinkham | 66 | 1991 Oct |
| Thompson, Virginia | Tuckwell on Teaching | 47-53 | 1997 May |
| Thompson, Virginia | The World Premiére of Benjamin Lees’ Concerto for French Horn and Orchestra | 59-60 | 1992 Oct |
| Thoms, Jonas | Between the Brackets: Performing as Assistant Horn in the Freeway Philharmonic | 47-49 | 2018 Oct |
| Thornton, Karen Sutterer | Lengthen Your Stride | 73 | 1992 Apr |
| Thurmaier, David | Charles Ives and the Horn | 59-63 | 2013 Feb |
| Thurmond, James | Reminiscences of Anton Horner | 55-68 | 1990 Apr |
| Tindall, Blair | Better Playing Through Chemistry | 67-69 | 2005 Feb |
| Todd, Richard | In Memoriam: Waldemar Linder (1908-1990) | 90 | 1991 Apr |
| Toeplitz, Uri | The Two Brothers Lewy | 75-76 | 1980 Oct |
| Treat, Asher E. | Brahms Trio, Op. 40 | 29-30 | 1991 Apr |
| Trenner, Franz | Franz Strauss | 61-65 | 1972 May |
| Tritle, Thomas | Chamber Music for Clarinet and Horn | 23-36 | 1997 Nov |
| Tritle, Thomas | Horns in the Shrine to Music Museum | 30-35 | 1988 Oct |
| Tritle, Thomas | Learning the Horn in Hungary | 49-51 | 1994 Feb |
| Tritle, Thomas | A Legacy of Elegance: An Interview with Francis Orval | 33-35 | 2002 Feb |
| Tritle, Thomas | On Playing Horn in Brazil | 50-53 | 1981 Apr |
| Tung, Margaret | The Benefits of Adding a Horn Choir to Your Program! | 68-69 | 2020 Oct |
| Tung, Margaret | Teacher Talk: Story Time in Studio Class! | 58-59 | 2022 Feb |
| Turner, Kerry | In Defense of Clams? | 61 | 2002 May |
| Turner, Kerry | A Life with the American Horn Quartet | 70-75 | 2015 May |
| Turner, Kerry | Two Hours of Hollywood Blockbusters! | 108 | 2010 Feb |
| Tuttle, William | How I Saved $20, Freshened My Room and Made a Mute | 16 | 1977 May |
| Uggen, Stuart J. | Simple Study to Help in Transition from Single F to Double Horn | 39 | 1971 May |
| Unsworth, Adam | Daniel Schnyder: Just Follow Instructions | 92-95 | 2010 May |
| Unsworth, Adam | Technique Tips: Better Technique: Your Next Step? | 31 | 2009 May |
| Upton, Katie | Musician, Heal Thyself: An Interview with Kristy M. Morrell | 68-70 | 2015 Feb |
| Uustulu, U. | Recalling Professor Jaan Tamm (1875-1933) | 82-86 | 1984 Oct |
| Vach, Milan | About the Horn in Bohemia from Huderni Nastroje | 30-33 | 1987 Apr |
| Vach, Milan | Kaemika Corni | 31-32 | 1988 Apr |
| Varner, Tom | Jazz Clinic: Our Friend, The Diminished Scale | 39-42 | 1988 Apr |
| van Boer, Bertil | The Four-Horn Question: Observations on an Eighteenth-Century Horn Performance Practice | 33-43 | 1992 Ann |
| van Boer, Bertil | Some Observations on Bach’s Use of the Horn | 59-83 | 1989 Ann |
| van Boer, Bertil | Some Observations on Bach’s Use of the Horn: Corrigenda | 91-96 | 1990 Ann |
| Van Dreel, Lydia | Play it Forward! | 38 | 2018 Oct |
| Varner, Tom | Jazz Horn – Post Julius Watkins | 43-45 | 1989 Apr |
| Varner, Tom | Julius Watkins, Jazz Pioneer | 21-25 | 1988 Oct |
| Vegter, Alana | A Different Take on the Horn Quartet | 75-76 | 2011 Feb |
| Vermeulen, William | Audition Success: A Pedagogical Approach | 51-58 | 1996 Feb |
| Vermeulen, William | Excerpt: Haydn Symphony No. 31 (Hornsignal) | 33-38 | 1988 Apr |
| Vermeulen, William | Technique Tips: Corporate Approach to Improving Technique | 71-72 | 2010 May |
| Vincze, Istvan | From the Dresden Horn Club to the Saxon Horn Society; Vom Dreschner Horn-Klub zur Sächsischen Horngesellschaft (German) | 94-95 | 2006 Feb |
| Wagner, Corbin | Comparing Horn Designs | 42-44 | 2019 Feb |
| Wagome, Vitalis and Wanje Nganga | The Growth of Horn Playing in Kenya | 54-55 | 2022 May |
| Wagstaff, Ian | Special Report: The London Horn Sound | 23-25 | 1999 May |
| Wakefield, David | A Chronological List of Horn Tutors | 69-72 | 1987 Apr |
| Wakefield, David | James Chambers, A Life Remembered | 116-118 | 1989 Apr |
| Walker, Ann Ellsworth | An American in Leningrad | 42-44 | 1990 Apr |
| Wall, Howard | The Importance of Subdivision in the 4th Horn Part of the Der Freischütz Overture | 39 | 2004 Oct |
| Wallendorf, Klaus | In Memoriam: Gerd Seifert (1931-2019) | 26-28 | 2019 May |
| Walshe, Robert C. | The Autograph of Richard Strauss’s First Horn Concerto | 57-61 | 1985 Apr |
| Walshe, Robert C. | Hand Horn Technique as a Teaching Tool | 73 | 1979 Apr |
| Walshe, Robert C. | Hand Technique and the Hand Horn | 57-61 | 1986 Apr |
| Walshe, Robert C. | The Orchestral Horn Transpositions of Richard Strauss | 11-15 | 1987 Apr |
| Walshe, Robert C. | The Transition from Hand Horn to Valve Horn in Germany | 25-26 | 1986 Oct |
| Ward, Chuck | The Work Bench: Rotary Valves | 57-59 | 1985 Oct |
| Warren, Kate | The Art of Mellophone Playing | 77-79 | 2022 Oct |
| Wates, John | Mozart and the Horn | 43-45 | 1991 Oct |
| Wates, John | Tuckwell at 60: An Appreciation | 51 | 1991 Oct |
| Watson, Catherine | Archive Celebration | 42-43 | 1986 Jun |
| Watson, Catherine | Hornstories | 11-13 | 1991 Apr |
| Watson, Catherine | An Interview with David Ohanian | 48-53 | 1990 Oct |
| Watson, Catherine | An Interview with Meir Rimon | 57-61 | 1991 Apr |
| Watson, Catherine | An Interview with Richard Merewether | 87-89 | 1984 Oct |
| Watson, Catherine | An Interview with William Karl Vermeulen | 41-44 | 1984 Apr |
| Watson, Catherine | A Profile of Harold Meek | 41-46 | 1986 Oct |
| Watson, Catherine | A Profile of Morris Secon | 67-72 | 1985 Apr |
| Watson, Joan | A Personal History of Learning and Teaching Breath Support | 84-85 | 2013 May |
| Watson, Will | Recollections of Richard Merewether | 54-55 | 2018 Feb |
| Watson Rock, Catherine | A Profile of Hans Pizka | 26-30 | 1992 Apr |
| Wekre, Froydis Ree | 1000 Ways to Teach? | 67 | 1998 Feb |
| Wekre, Froydis Ree | After a Music Review | 54 | 1983 Apr |
| Wekre, Froydis Ree | Anyway – What’s the Point? | 71 | 1998 May |
| Wekre, Froydis Ree | Excerpt: Shostakovich Cello Concerto #1 | 59-61 | 1991 Oct |
| Wekre, Froydis Ree | An Interview with Professor Erich Penzel | 59-62 | 2000 Nov |
| Wekre, Froydis Ree | The Leningrad School of Horn Playing | 92-95 | 1979 Oct |
| Wekre, Froydis Ree | Never Say Never – Again: Myths and Negative Rules | 33-34 | 2008 Oct |
| Wekre, Froydis Ree | Teaching Masterclasses | 53 | 2022 Feb |
| Wekre, Froydis Ree | Thoughts from the North: Horn Playing and the Inevitable Aging | 33-34 | 2008 May |
| Wekre, Froydis Ree et al | Teaching Intonation: Thoughts for Horn Players | 47-50 | 1999 Aug |
| West, Richard V. | The Knopf Horn Dynasty: An Interview with Christian Knopf | 96-99 | 2004 Feb |
| Whipple, James F. | A Five-Valve Double Horn with Hybrid Third Valve | 57-62 | 1980 Oct |
| Whipple, James F. | Mozart Excerpt | 68-69 | 1991 Oct |
| Whipple, James F. | Reading Strange Parts in Strange Clefs | 63-64 | 1996 May |
| White, Jahn | The Music Inside Him | 100 | 2003 May |
| Whitman, Dale | In Memoriam: Joseph Singer | 21-22 | 1979 Apr |
| Wick, Heidi | Schuller Premiére [Ohio River Reflections] | 24 | 2000 May |
| Wilder, Alec et al | In Memoriam: John R. Barrows (1913-1974) | 22-25 | 1974 Spr |
| Wilson, Dana | A Tribute to Gail Williams | 33-36 | 2022 Oct |
| Winter, Angela K. | Schuller Horn Quintet Premiére | 35-36 | 2009 Oct |
| Winter, James | Additional Thoughts on Notation and Transposition | 38-39 | 1985 Oct |
| Winter, James | Pills and Other Medicaments: Caution! | 86-87 | 1977 Nov |
| Winter, James | Workshop VI (1974) [reprint] | 26-28 | 2018 May |
| Wise, Ronald | Horn Warm Up: A Head Trip | 33-34 | 1974 Spr |
| Witte, Peter | Tom Witte’s 42 Years with the Atlanta Symphony | 37-39 | 2015 Oct |
| Witte, Peter | Tom Witte’s 42 Years with the Atlanta Symphony | 72-74 | 2016 Feb |
| Witte, Tom | Playing Second Horn in Beethoven’s Symphony No. 3 | 79-80 | 2000 Aug |
| Wogram, Klaus | Acoustic Properties of Brass Instruments | 19-31 | 1983 Apr |
| Yancich, Milan | Views on Horn Playing and Teaching: John Barrows & Milan Yancich | 61-63 | 2007 Feb |
| Yancich, Paul | Tributes: Milan Yancich (1921-2007) | 36-37 | 2008 Feb |
| Yates, Brayden | Stravinsky’s Other Ears: Exploring Active Listening, Musicking, and Engagement in Classical Music | 70-71 | 2022 May |
| Yeo, Douglas | Horn Players of the Boston Symphony Orchestra, 1881-1988 | 47-61 | 1988 Apr |
| Young, Frederick J. | The Optimal Design and Fair Comparison of Valve Systems for Horns | 7-15 | 1993 Ann |
| Young, Natalie | Teaching Horn in Chile | 99-101 | 2014 Oct |
| Zarzo, Vincente | Edmond Leloir, Horn Virtuoso | 51-57 | 1995 May |
| Zarzo, Vincente | Historic Horns from the Collection of Vincente Zarzo | 29-39 | 1995 Feb |
| Zook, Gretchen Burne | Happy 20th Anniversary to the Kendall Betts Horn Camp | 54-56 | 2014 Feb |