Hill, Douglas. “Jazz and Horn and More.” 17-21.
Barg, Joel. “Kerry Turner: from the King Ranch to the American Horn Quartet.“ 23-29.
Thompson, Virginia. “The 27th International Horn Workshop: ’95 International Horn Festival in Yamagata.” 31-35.
Bourgue, Daniel. “Homage to Lucien Thévet.” 37-39.
Thévet, Lucien. “Evolution of the Horn and Its Future Perspective.” 41-44.
Leuba, Christopher. “Helen Kotas, An Appreciation.” 47-48.
Machala, Kazimierz. “Edwin Golnik and His Influence on Horn Players in Poland.” 51-52.
Anderer, Joseph. “A & A-flat Horn in Italian Opera.” 55-56.
Modirzadeh, Hafez. “Rhythmic Applications in Trans-Intervallicism.” 59-60.
Scharnberg, William. “Music and Book Reviews.” 65-69.
Scharnberg, William. “Video Review.” 69.
LaBar, Arthur. “Music and Book Reviews.” 71-72.
Dressler, John. “Recording Reviews.” 75-81.
Kurau, Peter. “IHS Scholarship Programs (1994-1995).” 83.
Kurau, Peter. “IHS 1995-1996 Scholarship Programs."85-87.
Kurau, Peter. “Minutes of the IHS Annual Meeting.” 89-90.
“Horn Call Index, Volume XXV (1994-95).” 95.

Volume XXVI, no. 2 (February, 1996)

Austin, Paul. “A Conversation with Anthony Halstead.” 7-25.
Kirschen, Jeffry. “A Profile of Mason Jones.” 27-30.
Gardner, Randy C. “Plan Your Work and Work Your Plan.” 33-36.
Chenoweth, Richard. “Audition Basics.” 39-42.
Scharnberg, William. “Lookin’ Good but Feelin’ Bad.” 45-46.
Pizka, Hans. “Questions & Observations.” 47-48.
VerMeulen, William. “Audition Success: A Pedagogical Approach.” 51-58.
Modirzadeh, Hafez. “Chromodal Exercises for the Cross-Cultural Improvisor (Part 1).” 61-62.
LaBar, Arthur. “Music and Book Reviews.” 65-67.
Scharnberg, William. “Music and Book Reviews.” 69-73.
Dressler, John. “Recording Reviews.” 75-80.
Kurau, Peter. “IHS 1995-96 Scholarship Programs.” 83-85.
Pherigo, Johnny. “Proposal to Amend the IHS Bylaws.” 87.

Volume XXVI, no. 3 (May, 1996)

Sprung, David R. “‘Hidden’ Stopped Notes in 19th-Century French Opera.” 17-25.
Faust, Randall E. “Marvin C. Howe (1918-1994), Singer of Smooth Melodies.” 27-36.
LaBar, Arthur. “Thirty-Five Years at the Met: An Interview with Howard T. Howard.” 39-46.
Pherigo, Johnny. “Ádám Friedrich: A Profile.” 47-48.
Hill, Douglas. “Derivative Etudes: Create Your Own.” 51-52.
Bontrager, Lisa O. “Favorite Solo Pieces.” 53-56.
Modirzadeh, Hafez. “Chromodal Exercises for the Cross-Cultural Improvisor (Part 2).” 59-62.
Whipple, Jim. “Reading Strange Parts in Strange Clefs.” 63-64.
Scharnberg, William. “Music and Book Reviews.” 67-71.
LaBar, Arthur. “Music and Book Reviews.” 73-76.
Dressler, John. “Recording Reviews.” 79-83.
Pherigo, Johnny. “Proposal to Amend the IHS Bylaws.” 87.

The Horn Call Annual No. 8 (August, 1996)

Ericson, John Q. “Beethoven’s Symphony No. 9, Schubert’s Nachtgesang im Walde and Auf dem Strom, and the Horn Technique of the Lewy Brothers in the 1820s.” 5-13.
Hiebert, Thomas. “Old and New Roles for the Horn in J. F. Fasch’s Hunt Concerto.” 15-27.
Lewis, Gail. “The Heart of the Matter: An Introduction to One of Benjamin Britten’s Little Known Works for the Horn.” 29-39.

Volume XXVII, no. 1 (November, 1996)

Seraphinoff, Richard. “Nodal Venting on the Baroque Horn: A Study in Non-Historical Performance Practice.” 21-24.
Hill, Douglas. “The Creative Spirit, the Creative Process, and You.” 27-33.
Jolley, David. “Duos for Horn and String Quartet, by George Perle.” 35-36.
Gregg, Tim. “Norman Schweikert: A Profile.” 39-42.
Mansur, Paul. “IHS Punto Awards: J. Christopher Leuba and Douglas Campbell.” 45.
Gorokhov, Lev Yevgenyevich. “Nizhny Novgorod Brass Competition.” 47.
Snedeker, Jeffrey L. “The 28th Annual IHS Workshop: Welcome to the Pacific Northwest.” 51-52.
Cox, John. “Why Should I Go to the Workshops?” 52-53.
Thelander, Kristin. “IHS Thesis Lending Library.” 55-57.
Reynolds, Verne. “The Horn Handbook: Kopprasch Etudes.” 59-66.
Schaughency, Steve. “Improvisation Clinic: Learning Jazz Styles Through the Recordings of Julius Watkins.” 69-72.
Scharnberg, William. “Music and Book Reviews.” 75-80.
Dressler, John. “Recording Reviews.” 83-91.
Bontrager, Lisa O. “1996 IHS Scholarships.” 95-96.
Bontrager, Lisa O. “IHS 1997 Scholarship Programs.” 97-99.
“International Horn Society Financial Reports.” 103-106.
Thompson, Virginia. “Minutes of the 1996 IHS General Meeting.” 107-108.
“Horn Call Index, Volume XXVI (1995-96).” 110.

Volume XXVII, no. 2 (February, 1997)

Ericson, John Q. “The Original Kopprasch Etudes.” 17-21.
Anspaugh, Erin. “Horn Manufacturers, Models, and Distributors.” 27-52.
Chenoweth, Richard. “Selecting a New Horn.” 55-59.
Martin, Jean. “A. David Krehbiel: Forty Years in the Orchestra.” 61-65.
Stebleton, Michelle. “Getting a Grip on Schmidt-Wrap Horns.” 69-71.
Schaughency, Steve. “Learning Jazz Styles Through the Recordings of Julius Watkins.” 73-79.
Scharnberg, William. “Music and Book Reviews.” 83- 85.
Hill, Douglas. “Music and Book Reviews.” 87-89.
Dressler, John. “Recording Reviews.” 91-95.
Bontrager, Lisa O. “IHS 1997 Scholarship Programs.” 103-105.

Volume XXVII, no. 3 (May, 1997)

Tribute to Barry Tuckwell
Seenan, Hugh and Huning, Chris. “Barry Tuckwell: The Early Years in Australia and London.” 27-29.
“The Barry Tuckwell Scholarship Fund.” 31.
Hill, Douglas. “Barry Tuckwell: Catalyst for New Music for Horn.” 33-38.
Kloss, Marilyn Bone and Anderson, Mark J. “Horn Design by Tuckwell.” 41-44.
Thompson, Virginia. “Tuckwell on Teaching.” 47-53.
Dressler, John. “Tuckwell Discography: Solo and Chamber Music.” 55-67.
O’Hara, Keely. “Barry Tuckwell: A Bibliography.” 69-72.
Scharnberg, William. “The Tuckwell Collection: Book and Music Reviews.” 75-76.
Thelander, Kristin. “Barry Tuckwell’s Elegant Finale.” 79-82.
“Tributes.” 85-97.

The Horn Call Annual No. 9 (August, 1997)

Schlesinger, Kathleen. “‘Horn’: Encyclopædia Britannica, 11th Edition, (1910-11).” 7-21.
Ericson, John Q. “Joseph Rudolphe Lewy and Valved Horn Technique in Germany, 1937-1851.” 23-35.